The Moving Picture Girls at Rocky Ranch: Or, Great Days Among the CowboysHope, Laura Lee
General
The Moving Picture Girls at Rocky Ranch: Or, Great Days Among the Cowboys
Hope, Laura Lee
Cowboys -- Juvenile fiction; Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"No, Ruth, it's this moving picture business. It just makes you use
words that _mean_ something, and not those that are merely sign-posts.
I'm glad to see that you are getting--sensible. But never mind about
that. Are you ready to go to the studio? I'm sure we'll be late."
"Oh, please help me with this collar. I wish I'd made this waist with
the new low-cut effect. Not too low, of course," Ruth added hastily, as
she caught a surprised glance from her sister.
Two girls were in a room about which were strewn many articles of
feminine adornment. Yet it was not an untidy apartment. True, dresser
drawers did yawn and disclose their contents, and closet doors gaped at
one, showing a collection of shoes and skirts. But then the occupants of
the room might have been forgiven, for they were in haste to keep an
appointment.
"There, Ruth," finally exclaimed the younger of the two girls--yet she
was not so much younger--not more than two years. "I think your collar
is perfectly sweet."
"It's good of you to say so. You know I got it at that little French
shop around the corner, but sewed some of that Mexican drawn lace on to
make it a bit higher. Now I'm sorry I did, for I had to put in those
snap fasteners instead of hooks. And if you don't get them to fit
exactly they come loose. It's like when the film doesn't come right on
the screen, and the piano player sounds a discord to call the
operator's attention to it."
"You've hit it, sister mine."
"Oh, Alice! There you go again. 'Hit it!'"
"You'd say 'hit it' at a baseball game," Alice retorted.
"Oh, yes, I suppose so. But we're not at one," objected the older girl,
as she finished buttoning her gloves, and took up her parasol, which she
shook out, to make sure that it would open easily when needed.
"There, I think I'm ready," announced Alice, as she slipped on a light
jacket, for, though it was spring, the two rivers of New York sent
rather chilling breezes across the city, and a light waist was rather
conducive to colds.
"Have you the key?" asked the older girl, as she paused for a moment on
the threshold of the private hall of the apartment house. She had tied
her veil rather tightly at the back, knotting it and fastening it with a
little gold pin, and now she pulled it away from her cheeks, to relieve
the tension.
"Yes, I have it, Ruth. Oh, don't make such funny faces! Anyone would
think you were posing."
"Well, I'm not--but this veil--tickles."
"Serves you right for trying to be so stylish."
"It's proper to have a certain amount of style, Alice, dear. I wish I
could induce you to have more of it."
"I have enough, thank you. Let's don't talk dress any more, or we'll
have a tiff before we get to the moving picture studio, and there are
some long and trying scenes ahead of us to-day."
"So there are. I wonder if daddy took his key?"
"Wait, and I'll look on his dresser."
Public-domain text, read in full here on John Shaqi.
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