The Moving Picture Girls at Sea: or, A Pictured Shipwreck That Became Real — John Shaqi
The Moving Picture Girls at Sea: or, A Pictured Shipwreck That Became RealHope, Laura Lee
General
The Moving Picture Girls at Sea: or, A Pictured Shipwreck That Became Real
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
And just as the old sailor, who called himself Jack Jepson, was about to
step in front of the ball room scene camera, to the frantic horror of
the operator, one of the cowboys, following out his lines, drew his
revolver, and fired a blank cartridge at the "villain."
In the studio the noise was like that of a small cannon.
"Mutiny!" yelled Jack Jepson, jumping in the air a foot or more.
"Mutiny!"
But he stopped, and just in time. Two steps more would have brought him
in front of the clicking camera.
"Mutiny!" he fairly roared. "What is this! Who's firin' a shot across my
bows? All hands on deck t' repel boarders! Avast there!" and he stood
looking around in bewilderment, while the smoke from the revolver
floated upward.
"Come here!" called Mr. Pertell running forward, and grasping the arm of
the sailor before he could get away to step in front of any of the other
moving picture machines. "You don't understand, Mr. Jepson. I merely
want you to----"
"Yes, I reckon I heard you say what you wanted me to do. Now look here!
I don't know much about you, but you come over t' our Sailors' Snug
Harbor, an' you took some pictures. That was all right, I'm not captain
there an' I haven't anything t' say. You said you wanted an old
able-bodied man for certain work, an' I volunteered. I didn't know where
the voyage was, but I signed on, an' come here; didn't I?"
"You did," said Mr. Pertell. "But let me explain."
"No, you listen to me, first!" exclaimed the old salt, shaking a
thickened and roughened finger at the manager. "I come here, willin' to
do anything from slushin' th' mast, or holystonin' th' decks t' furlin'
sail in a blow. But what do I get; eh? I ask you what do I get? Why an
order to steal shippin' papers, that's what I get! An' that's a serious
crime. I'm not goin' t' be mixed up with it. No sir! Not for Jack
Jepson!" and he tried to break away.
"Wait a minute!" Mr. Pertell begged. "You don't understand. It's only
the business of stealing the papers, you know."
"Well, it's mighty poor business for any man t' be in; that's my
opinion. I was raised honest, an', man and boy, I've lived honest for
fifty years, with one exception, an' that wasn't my fault, and now----"
Again he made an effort to leave, which effort, if not blocked, would
have once more taken him in front of some clicking camera.
"Oh, can't you understand!" cried the manager with a hopeless gesture.
"Perhaps I could explain to him," suggested Ruth in a low voice. "I have
plenty of time, Mr. Pertell, and though I don't know this gentleman----"
"Oh, I forgot. He's going to act with you and your sister, Miss DeVere,"
said the manager. "Come over and be introduced. You too, Mr. DeVere.
He's to have a part in our great sea drama, that is, if I can ever get
it started. I began explaining to Jepson, here, about taking the papers
which have to do with the case, but he can't----"
Public-domain text, read in full here on John Shaqi.
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