The Moving Picture Girls at Sea: or, A Pictured Shipwreck That Became RealHope, Laura Lee
General
The Moving Picture Girls at Sea: or, A Pictured Shipwreck That Became Real
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
The little party went back to the studio, and, after lunch, some of the
easiest and less important scenes in the marine drama were rehearsed.
Sailor Jack soon understood what was wanted of him, and did very well.
Ruth and Alice took pleasure in coaching the honest, simple old salt.
His too-conscientious scruples about doing a seemingly wrongful act were
overcome when it was explained to him, and he went through the scene in
the studio shipping office very well.
"And that will be all you'll have to do for a few days," Manager Pertell
told him. "You will not be needed to take part in any scenes until we
get ready for the second act. Meanwhile you had better arrange to stay
aboard the _Mary Ellen_, while she is in the Erie Basin, and help
Captain Brisco."
"That I will! Aye, aye, sir!" exclaimed Jack. "And it'll be a relief to
be where I can feel the heave of a deck, even if the craft is anchored,
and to smell the real salt water again. I'll go aboard as soon as I can
get back to the Snug Harbor, and stow my dunnage in a bag."
He really seemed delighted to make the change, and the worried look left
his face, though Ruth could not forget the shadow it had cast. What did
it mean? She asked herself this over and over again.
Meanwhile there was hard work for the moving picture girls and Mr.
DeVere. A company engaged in the making of films does not content itself
with merely producing one big play. There are any number of small reels
that are needed, as "fillers." Some of them are called "split reels,"
meaning that there are two plays, or sketches, on each one. And in the
intervals of going through scenes in "Out on The Deep," or rehearsing
for them, Ruth and Alice took part, with others of the Comet
organization, in the making of many pictures.
Several weeks went by in this way. Spring was gradually turning into
Summer, to the delight of the girls, who loved the outdoors. Of course
they loved Winter, too, for they had many outdoor scenes to take part in
then, since snow effects are always easy to photograph.
"But Summer is the best!" cried Alice, gaily dancing about the studio,
after she had finished in a little comedy scene, one day.
"I think so, too," agreed Ruth.
"And when we get out on the deep blue sea," the younger girl added, "it
will be ideal. Oh, I can hardly wait for the _Mary Ellen_ to start on
her last voyage. Isn't it too bad she has to be sunk?" she asked.
"Yes, it is rather tragic," agreed Ruth. "I hope we get far enough away
when she takes her last plunge beneath the waves," she added with an
involuntary shudder.
"Oh, trust Captain Brisco for that," Alice said.
"I had rather trust--Sailor Jack Jepson," murmured Ruth in a low voice.
Meanwhile work on refitting the schooner had gone on apace. The moving
picture girls, and their friends, had paid several visits to her, and
found Captain Brisco, Jack Jepson and the others hard at work making the
vessel a semblance of her former self.
Public-domain text, read in full here on John Shaqi.
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