The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak FarmHope, Laura Lee
General
The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak Farm
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Russ began to grind away at the film. Mr. Switzer had taken his place in
the clump of bushes, his ragged Union garments flapping in the wind. He
came out, looked furtively around, and then, giving the proper
"registration," he advanced cautiously toward the barn.
"Go on now--run!" cried Mr. Pertell through his megaphone.
The German actor ran. He made a beautiful leap through the window, and
the next moment there came from him howls of dismay.
"Donner vetter! Ach Himmel! Ach! My face! My hands! Hey, somebody! bring
a pail of water! Quick!"
CHAPTER IV
A REHEARSAL
Mingled in German and English came the shouts of dismay from Herr
Switzer inside the dummy shed, through the window of which he had leaped
on to the hay.
"Oh, what is it?" cried Ruth, clasping her hands and registering
"dismay" unconsciously.
"He must have fallen and hurt himself," ejaculated Alice. "Do, Paul, go
and see what it is."
"Stop the camera!" yelled Mr. Pertell through his megaphone. "Don't
spoil the film, Russ. You got a good scene there. He went through the
window all right, and his yells won't register. Stop the camera!"
"Stopped she is," reported Russ.
Then those of the players who had been looking on and wondering at Mr.
Switzer's cries could hurry to his rescue.
For it is a crime out of the ordinary in the annals of moving pictures
for any one not in the scene to get within range of the camera when an
act is being filmed. It means not only the spoiling of the reel,
perhaps, but a retaking of that particular action. When Russ ceased to
grind at the camera crank, however, it was the same as when the shutter
of an ordinary camera is closed. No more views can be taken. It was safe
for others to cross the field of vision.
"What's the matter?" cried Paul, who, with Ruth and Alice and some of
the others trailing after him, was hurrying toward the false front of
boards that represented a shed.
"Did a cow critter or a sheep step on you?" Russ questioned.
"Ach! My face! My clothes! Ruined!" came in accents of deep disgust from
the actor. "Never again will I leap through a window without knowing
into what I am going to land. Ach!"
"What happened?" asked Paul, trying to keep from laughing, for the
player's voice was so funnily tragic.
"What happened? Come and see!" cried Mr. Switzer. "I have into a
chicken's home invaded myself already!"
"Invaded himself into a chicken's home!" exclaimed Mr. Pertell. "What in
the world does he mean?"
"I guess he means he sat down in a hen's nest!" chuckled Paul, and this
proved to be the case.
Going around to the other side of the erected boards, the players and
others saw a curious sight.
Seated on the hay, his face, his hair, his hands, and his clothing a
mass of the whites and yellows of eggs, was Carl Switzer. He held up his
fingers, dripping with the ingredients of half a dozen omelets.
Public-domain text, read in full here on John Shaqi.
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