The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak FarmHope, Laura Lee
General
The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak Farm
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Most of the men were former members of the militia, cowboys and
adventurers, all of whom were used to hard, rough riding. This was
necessary, for when battle scenes are shown there must be some "killed,"
and when a man has a horse shot from under him, or is shot himself,
riding at full speed, even though the cartridges are blank, the action
calls for a heavy fall, sudden and abrupt, to make it look real. And
this is not easy to do, nor is it altogether safe with a mob of riders
thundering along behind one.
Yet the men who take part in these battle scenes do it with scarcely a
thought of danger, though often many of them are hurt, as are the
horses.
In brief the story of the play in which Ruth was to take the part of a
girl in Blue, and Alice of a girl in Gray, was this. They were cousins,
and Ruth was visiting Alice's home in the South when the war broke out.
Alice, of course, sided with her people, and loved the gray uniforms,
while Ruth's sympathies were with the North.
Ruth determined to go back North and become a nurse, while Alice,
longing for more active work, offered her services as a spy to help the
Confederacy. Though on opposite sides, the girls' love for one another
did not wane.
Then came the scenes of the war. Battles were to be shown, and there
were plots and counter-plots, in some of which Ruth and Alice had no
part. Mr. DeVere was cast for a Northern General, and the character
became him well. Later on Alice and Ruth were to meet in a hospital
among the wounded. Alice was supposed to get certain papers of value to
her side from a wounded Union officer. As she was escaping with them
Ruth was to intercept her, and the two were to have a "strong" scene
together.
Alice, ignoring the pleadings of her cousin and about to depart with
the papers, learns that the officer from whom she took them was the same
one that had saved her father's life on the battlefield. She decides to
forego her mission as a spy, even though it may mean the betrayal of her
own cause, when the news comes in of Lee's surrender, and her sacrifice
is not demanded. Then "all live happily for ever after."
That is but a mere outline of the play, which was to be an elaborate
production. And it was the rehearsal for the preliminary battles and
skirmishes that the girls were now witnessing.
"Tell that battery to get ready to fire!" cried Mr. Pertell, and this
word went over the telephone.
"Come on now with that Union charge!" was the next command.
Then hundreds of horses thundered down the slopes of Oak Farm, while the
hidden guns thundered. Down went horses and men while the girls screamed
involuntarily, it all seemed so real.
"It's a good thing we didn't plant no corn in that there field this
season," observed Belix Apgar, Sandy's father, as he saw the charge.
"That's right," agreed his wife. "There wouldn't have been 'nuff left to
make a hominy cake."
Public-domain text, read in full here on John Shaqi.
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