The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak FarmHope, Laura Lee
General
The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak Farm
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"Oh, he'll let me, I know. We've ridden some, you know; but I would like
to ride as well as Estelle," and Alice and Estelle began to talk over
their plans for taking and giving riding lessons. In the midst of the
talk the return of the boy who went daily to the village for mail was
announced.
"Oh, I hope my new waist has come!" Alice exclaimed, for she had written
to her dressmaker to send one by parcel post. There was a package for
her--the one she expected--and also some letters, as well as one for
Ruth. Estelle showed no interest when the distribution of the mail was
going on.
"Don't you expect anything?" asked Alice.
"Any what?"
"Letters."
"Why, no, I don't believe I do," was the slowly given answer. "I don't
write any, so I don't get any, I suppose," and both girls noticed that
there was a far-away look in Estelle's eyes. Perhaps it was a wistful
look, for surely all girls like to get letters from some one.
"I believe she is estranged from her family," decided Alice to her
sister afterward. "Did you see how pathetic she looked when we got
letters and she didn't?"
"Well, I didn't notice anything special," Ruth replied. "But there is
something queer about her, I must admit. She is so absent-minded at
times. This morning I asked her if she wanted to go for a walk, and she
said she had no ticket."
"No ticket?"
"Yes, that's what she said. And when I laughed and told her one didn't
need a ticket to walk around Oak Farm, she sort of 'came to' and said
she was thinking about a boat."
"A boat--what boat?"
"That was all she said. Then she began to talk about something else."
"Do you know what I think?" asked Alice, suddenly.
"No. But then you think so many things it isn't any wonder I can't keep
track of them."
"I think, as I believe I've said before, that she has run away from some
ranch to be in moving pictures. That's why she doesn't write or receive
letters. She doesn't want her folks to know where she is."
"I can hardly believe that," declared Ruth. "She is too nice and refined
a girl to have done anything like that. No, I just think she is a bit
queer, that is all. But certainly she doesn't tell much about herself."
However, further speculation regarding Estelle Brown was cut short, as
orders came for the appearance of nearly the entire company in one of
the plays.
The first scene was to take place in a Southern town, and for the
purpose a street had been constructed by Pop Snooks and his helpers.
There was a stately mansion, smaller houses, a store or two and some
other buildings. True, the buildings were but shells, and, in some
cases, only fronts, but they showed well in the picture.
Ruth, Alice, and a number of the girls and women and men were to be the
inhabitants of this village, and were to take part in an alarm and flee
the place when it was known that the Confederate forces were being
driven back and through the place by the Unionists.
Public-domain text, read in full here on John Shaqi.
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