The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak FarmHope, Laura Lee
General
The Moving Picture Girls in War Plays: Or, The Sham Battles at Oak Farm
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
"The Moving Picture Girls at Rocky Ranch" gave Ruth and Alice a taste of
cowboy life, and though rivals tried to spoil some of the valuable
films, they were not altogether successful, even though a prairie fire
figured in their schemes.
The girls, with their father, had recently returned from a perilous
trip. This is told about in the volume immediately preceding the one you
are reading--"The Moving Picture Girls at Sea." In that Alice and Ruth
proved, not only their versatility as actresses, but also that they
could be brave and resourceful in the face of danger. And they more than
repaid the old sailor, Jack Jepson, who saved their lives, by doing him
a good turn.
"Well, life at Oak Farm will be vastly different from that on the _Mary
Ellen_," remarked Alice, as she looked from the automobile as it swung
along through the New York streets on the way to the park.
"Yes," agreed her sister. "But I like it up there."
"There are going to be some strenuous times," said Paul. "We've got to
do some hustling work."
"All the better," declared Russ. "I like to keep the film running. This
sitting about all day and reeling off only ten feet makes me tired."
"You like action!" laughed Ruth.
"Yes; and plenty of it."
Oak Farm was the property of the Apgars. There was Mr. Belix Apgar, the
father, Nance, his wife, and Sandy, an energetic son. The farm was
located in New Jersey, about forty miles from New York, and it provided
a picturesque background for the scenes evolved by Mr. Pertell and his
company. It was during a scene on the farm, some time before, that a
valuable discovery had been made, which endeared the moving picture
girls and their chums to the Apgars.
"How did Mr. Pertell come to pick out Oak Farm for the war plays?" asked
Ruth, as the automobile bounced along.
"Well, I suggested it to him," answered Russ. "I remembered the
background, and I felt sure we could get all sorts of settings there to
make the proper scenes. There are hills, mountains, valleys, streams,
bridges, waterfalls, cliffs and caves. Everything needed for perfectly
good war dramas."
"How did they come to want that sort of stuff?" asked Paul.
"Oh, war stuff is going big now," Russ answered. "All this talk of
preparedness, you know, the war in Europe, and all that. The public is
fairly 'eating up' war pictures."
"I hope we don't have to fire any guns!" exclaimed Ruth, with a shudder.
"You'll see and hear plenty of 'em fired," Russ told her. "There are to
be some big battle scenes and cavalry charges. But one of you will be
back of the firing line, I believe."
"How is that?" asked Alice.
"Well, one of you girls is to be cast for an army nurse, and the other
will be a spy. The spy has to carry a revolver."
"I'm going to be the spy!" cried Alice, impetuously. "I know how to
shoot a gun."
"I'd rather be the nurse," murmured Ruth, and truly she was better
fitted for that part.
Public-domain text, read in full here on John Shaqi.
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