The Moving Picture Girls; Or, First Appearances in Photo Dramas — John Shaqi
The Moving Picture Girls; Or, First Appearances in Photo DramasHope, Laura Lee
General
The Moving Picture Girls; Or, First Appearances in Photo Dramas
Hope, Laura Lee
Girls -- Juvenile fiction; Motion pictures -- Production and direction -- Juvenile fiction
Their married life was much happier than the usual theatrical union,
and under the guidance and instruction of her husband Mrs. DeVere had
become one of the leading juvenile players. Both her husband and
herself were fond of home life, and they had looked forward to the
day when they could retire and shut themselves away from the public
with their two little daughters.
But fortunes are seldom made on the stage--not half as often as is
imagined--and the time seemed farther and farther off. Then came Mrs.
DeVere's illness and death, and for a time a broken-hearted man
withdrew himself from the world to devote his life to his daughters.
But the call of the stage was imperative, not so much from choice as
necessity, for Mr. DeVere could do little to advantage save act, and
in this alone could he make a living. So he had returned to the
"boards," filling various engagements with satisfaction, and taking
his daughters about with him.
Rather strange to say, up to the present, though literally saturated
with the romance and hard work of the footlights, neither Ruth nor
Alice had shown any desire to go on the stage. Or, if they had it,
they had not spoken of it. And their father was glad.
Mr. DeVere was a clever character actor, and had created a number of
parts that had won favor. He inclined to whimsical comedy roles,
rather than to romantic drama, and several of his old men studies are
remembered on Broadway to this day. He had acted in Shakespeare, but
he had none of that burning desire, with which many actors are
credited, to play Hamlet. Mr. DeVere was satisfied to play the
legitimate in his best manner, to look after his daughters, and to
trust that in time he might lay by enough for himself, and see them
happily married.
But the laying-aside process had been seriously interrupted several
times by lack of engagements, so that the little stock of savings
dwindled away.
Then came a panicky year. Many theaters were closed, and more actors
"walked the Rialto" looking for engagements than ever before. Mr.
DeVere was among them, and he even accepted a part in a vaudeville
sketch to eke out a scanty livelihood.
Good times came again, but did not last, and finally it looked to the
actor as though he were doomed to become a "hack," or to linger along
in some stock company. He was willing to do this, though, for the
sake of the girls.
A rather longer period of inactivity than usual made a decided change
in the DeVere fortunes, if one can call a struggle against poverty
"fortunes." They had to leave their pleasant apartment and take one
more humble. Some of their choice possessions, too, went to the sign
of the three golden balls; but, with all this, it was hard work to
set even their scanty table. And the bills!
Public-domain text, read in full here on John Shaqi.
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