It was a singular face, that of the merchant; an immense skull, polished
like a knee, and surrounded by a thin aureole of white hair, which
brought out the clear salmon tint of his complexion all the more
strikingly, lent him a false aspect of patriarchal _bonhomie_,
counteracted, however, by the scintillation of two little yellow eyes
which trembled in their orbits like two louis-d'or upon quicksilver. The
curve of his nose presented an aquiline silhouette, which suggested the
Oriental or Jewish type. His hands--thin, slender, full of nerves which
projected like strings upon the finger-board of a violin, and armed with
claws like those on the terminations of bats' wings--shook with senile
trembling; but those convulsively agitated hands became firmer
than steel pincers or lobsters' claws when they lifted any precious
article--an onyx cup, a Venetian glass, or a dish of Bohemian crystal.
This strange old man had an aspect so thoroughly rabbinical and
cabalistic that he would have been burnt on the mere testimony of his
face three centuries ago.
'Will you not buy something from me to-day, sir? Here is a Malay kreese
with a blade undulating like flame. Look at those grooves contrived for
the blood to run along, those teeth set backward so as to tear out the
entrails in withdrawing the weapon. It is a fine character of ferocious
arm, and will look well in your collection. This two-handed sword
is very beautiful. It is the work of Josepe de la Hera; and this
_colichemarde_ with its fenestrated guard--what a superb specimen of
handicraft!'
'No; I have quite enough weapons and instruments of carnage. I want a
small figure,--something which will suit me as a paper-weight, for I
cannot endure those trumpery bronzes which the stationers sell, and
which may be found on everybody's desk.'
The old gnome foraged among his ancient wares, and finally arranged
before me some antique bronzes, so-called at least; fragments of
malachite, little Hindoo or Chinese idols, a kind of poussah-toys in
jade-stone, representing the incarnations of Brahma or Vishnoo, and
wonderfully appropriate to the very undivine office of holding papers
and letters in place.
I was hesitating between a porcelain dragon, all constellated with
warts, its mouth formidable with bristling tusks and ranges of
teeth, and an abominable little Mexican fetich, representing the god
Vitziliputzili _au naturel_, when I caught sight of a charming foot,
which I at first took for a fragment of some antique Venus.
It had those beautiful ruddy and tawny tints that lend to Florentine
bronze that warm living look so much preferable to the gray-green aspect
of common bronzes, which might easily be mistaken for statues in a state
of putrefaction. Satiny gleams played over its rounded forms, doubtless
polished by the amorous kisses of twenty centuries, for it seemed a
Corinthian bronze, a work of the best era of art, perhaps moulded by
Lysippus himself.
Public-domain text, read in full here on John Shaqi.
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