Detective and mystery stories; English fiction -- 19th century
was absolutely devoid of all ambition, save a desire to have his surname
pronounced correctly. ‘Car_lee_-on,’ he would say with polite emphasis,
‘not Car-_ly_-on. Our name is an old, historical one, and like many of
its class is spelt one way and pronounced another.’
Now, without ambition, the human organisation becomes rather like a
heavy cart stuck fast in the mud-rut it has made for itself, and it
frequently needs a strong horse to move it and set it jogging on again.
In this case, Delicia was the horse; or, to put it more justly, the
high-spirited mare, galloping swiftly along an open road to a destined
end, and scarcely conscious of the cart she drew at such a rattling pace
behind her. How indignant she would have been had she overheard any
profane person using this irreverent cart simile in connection with her
one supremely Beloved! Yet such was the true position of things as
recognised by most people around her; and only he and she were blind to
the disproportionate features of their union; she with the rare and
beautiful blindness of perfect love, he with the common every-day
blindness of male egotism.
That he had exceptional attractions of his own wherewith to captivate
and subdue the fair sex was beyond all question. The qualities of
‘race,’ derived from a long ancestral line of warriors and statesmen,
had blossomed out in him physically if not mentally. He had a fine,
admirably-moulded figure, fit for a Theseus or a Hercules, a handsome
face and a dulcet voice, rich with many gradations of persuasive and
eloquent tone. Armed with these weapons of conquest, he met Delicia at
the moment when her small foot had touched the topmost peak of Fame, and
when all the sharp thorns and icicles of the strange crown wherewith Art
rewards her chosen children were freshly set among her maiden hair.
Society thought her a chilly vestal—shrank from her, indeed, somewhat in
vague fear; for her divine, violet eyes had a straight way of looking
through the cunningly-contrived mask of the social liar, and, like the
‘Rontgen rays,’ taking a full impression of the ugly devil behind it.
Society refused to recognise her ethereal and half elfin type of beauty.
It ‘could see nothing in her.’ She was to it ‘a curious sort of woman,
difficult to get on with,’—and behind her back it said of her the usual
mysterious nothings, such as, ‘Ah! one never knows what those kind of
persons are!’ or, ‘Who _was_ she?’ and, ‘Where does she get her strange
ideas from?’—slobbering its five o’clock tea and munching its watercress
sandwiches over these scrappy suggestions of scandal with a fine relish
only known to the ‘upper class’ matron and the Whitechapel washerwoman.
For however much apart these two feminine potentialities may be in
caste, they are absolutely one in their love of low gossip and slander.
Public-domain text, read in full here on John Shaqi.
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