Detective and mystery stories; English fiction -- 19th century
galleries of art, one might find such a wronged and suffering greatness
in the countenance of one of the sculptured gods or heroes, but surely
not elsewhere. However, it was the Passionate Outbreak,—the
lightning-like fury and determination of mere manhood, springing forth
despite the man himself, and making havoc of all his preconceived
intentions, that won his cause for him at last. The moment came—the one
moment which, truly speaking, comes but once to any human life; the
pre-ordained, divine moment, brief as the sparkle of foam on a breaking
wave,—the glimpse of Heaven that vanishes almost before we have looked
upon it. It was a night never to be forgotten—by Delicia, at least; a
night when Shakespeare’s elves might have been abroad, playing mischief
with the flowers and scattering wonder-working charms upon the air—a
true ‘Midsummer Night’s Dream’ which descended, full-visioned in silver
luminance, straight from Paradise for Delicia’s sake. She was, at that
time, the guest of certain ‘great’ people; the kind of ‘great’ who say
they ‘must have a celebrity or two, you know!—they are such queer, dear
things!’ Delicia, as a ‘queer, dear thing,’ was one of the celebrities
thus entertained, and Pablo de Sarasate, also as a ‘queer, dear thing,’
was another. A number of titled and ‘highly-connected’ personages, who
had the merit of being ‘queer’ without being in the least ‘dear,’ made
up the rest of the party. The place they were staying at was a lordly
pile, anciently the ‘summer pleasaunce’ and favourite resort of a great
Norman baron in the days of Richard the Lion-hearted, and the grounds
extending round and about it were of that deep-shadowed, smooth-lawned
and beautifully sylvan character which only the gardens of old, historic
English homes possess. Up and down, between a double hedge of roses,
and under the radiance of a golden harvest moon, Delicia moved slowly
with Carlyon at her side; and from the open drawing-room windows of the
house floated the pure, penetrating voice of Sarasate’s violin.
Something mystic in the air; something subtle in the scent of the roses;
a stray flash of light on the falling drops of the fountain close by,
which perpetually built and unbuilt again its glittering cupola of
spray, or some other little nothing of the hour, brought both man and
woman to a sudden pause,—a conscious pause, in which they each fancied
they could hear their own hearts beating loudly above the music of the
distant violin. And the man,—the elected son of Mars, who had never yet
lifted his manhood to the height of battle, there to confront horror
upon horror, shock upon shock,—now sprang up full-armed in the lists of
love, and, strong with a strength he had hardly been aware of as
existing in himself before, he swiftly and boldly grasped his prize.
‘Delicia!’ he whispered—‘Delicia, I love you!’
Public-domain text, read in full here on John Shaqi.
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