Detective and mystery stories; English fiction -- 19th century
natural as a rose—no paint, no dye, no purchased hair cut from the heads
of female convicts, no sickly perfumes, no padding, nothing in the least
artificial about her.’ And hearing this, his particular ‘chum’ in the
Guards Club said,—
‘Lucky dog! You don’t deserve such a “draw” in the matrimonial
lottery!’
And Carlyon, smiling a superior smile, looked in a conveniently near
mirror, and replied,—
‘Perhaps not! But—’
A flash of the fine eyes, and a touch of the Beautiful Sullenness manner
finished the sentence. It was evident that the gallant officer was not
at all in doubt as to his own value, however much other folks might be
disposed to consider the pecuniary and other advantages of his marriage
as altogether exceeding his merits.
Yet, on the whole, most people, with that idiotic inconsistency which
characterises the general social swarm, actually pitied him when they
heard what was going to happen. They made round eyes of astonishment,
shook their heads and said, ‘Poor Carlyon!’ Why they made round eyes or
shook their heads, they could not themselves have explained, but they
did so. ‘Poor,’ Carlyon certainly was; and his tailor’s bill was an
appalling one. But ‘they,’—the five-o’clock-tea gossips, knew nothing
about the tailor’s bill—that was a private affair,—one of those indecent
commonplaces of life which are more or less offensive to persons of high
distinction, who always find something curiously degrading in paying
their tradesmen. ‘They’ saw Carlyon as he appeared to them—superb of
stature, proud of bearing, and Greekly ‘god-like’ of feature—and that he
was always irreproachably dressed was sufficient for them, though not
for the unpaid tailor who fitted him so admirably. Looking at him in
all his glory, ‘they’ shuddered at the thought that he—this splendid
specimen of manhood—was actually going to marry a—what?
‘A novelist, my dear! just think of it!’ feebly screamed Mrs Tooksey
over her Queen Anne silver teapot. ‘Poor Wilfred Carlyon! Such a
picturesque figure of a man! How awful for him!’
And Mrs Snooksey, grabbing viciously at muffin, chorused, ‘Dreadful,
isn’t it! A female authoress!’—this, with a fine disregard of the fact
that an authoress is generally a female. ‘No doubt steeped in ink and
immorality! Poor Carlyon! _My_ mother knew _his_ father!’
This remark of Mrs Snooksey’s had evidently some profound bearing on the
subject, because everybody looked politely impressed, though no one
could see where the point came in.
‘She’s ugly, of course!’ tittered Miss Spitely, nervously conscious that
once—once, at a ball—Carlyon had picked up her fan, and wishing she had
‘gone in’ for him then. ‘Authoresses always are, aren’t they?’
‘This one isn’t,’ put in the One Man, who through some persecuting fate
always manages to turn up in a jaded and gloomy condition at these kind
of ‘afternoon teas.’ ‘She’s pretty. That’s the worst of it. Of course
she’ll lead Carlyon a devil of a life!’
Public-domain text, read in full here on John Shaqi.
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