Apocalyptic fiction; New York (N.Y.) -- Fiction; Science fiction
The Music Master of Babylon
By EDGAR PANGBORN
Illustrated by KRIGSTEIN
[Transcriber's Note: This etext was produced from
Galaxy Science Fiction November 1954.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
What more fitting place for the last man on
Earth to live in than a museum? Now if only
he could avoid becoming an exhibit himself!
For twenty-five years, no one came. In the seventy-sixth year of his
life, Brian Van Anda was still trying not to remember a happy boyhood.
To do so was irrelevant and dangerous, although every instinct of his
old age tempted him to reject the present and dwell in the lost times.
He would recall stubbornly that the present year, for example, was
2096; that he had been born in 2020, seven years after the close of the
Civil War, fifty years before the Final War, twenty-five years before
the departure of the First Interstellar. (It had never returned, nor
had the Second Interstellar. They might be still wandering, trifles of
Man-made Stardust.) He would recall his place of birth, New Boston,
the fine, planned city far inland from the ancient metropolis that the
rising sea had reclaimed after the earthquake of 1994.
Such things, places and dates, were factual props, useful when Brian
wanted to impose an external order on the vagueness of his immediate
existence. He tried to make sure they became no more than that--to shut
away the colors, the poignant sounds, the parks and the playgrounds of
New Boston, the known faces (many of them loved), and the later years
when he had briefly known a curious intoxication called fame.
It was not necessarily better or wiser to reject those memories,
but it was safer, and nowadays Brian was often sufficiently tired,
sufficiently conscious of his growing weakness and lonely unimportance,
to crave safety as a meadow mouse often craves a burrow.
* * * * *
He tied his canoe to the massive window that for many years had been a
port and a doorway. Lounging there with a suspended sense of time, he
was hardly aware that he was listening. In a way, all the twenty-five
years had been a listening. He watched Earth's patient star sink toward
the rim of the forest on the Palisades. At this hour, it was sometimes
possible, if the Sun-crimsoned water lay still, to cease grieving too
much at the greater stillness.
There was scattered human life elsewhere, he knew--probably a great
deal of it. After twenty-five years alone, that, too, often seemed
almost irrelevant. At other times than mild evenings, hushed noons or
mornings empty of human commotion, Brian might lapse into anger, fight
the calm by yelling, resent the swift dying of his echoes. Such moods
were brief. A kind of humor remained in him, not to be ruined by sorrow.
Public-domain text, read in full here on John Shaqi.
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