Apocalyptic fiction; New York (N.Y.) -- Fiction; Science fiction
He remembered quite clearly how he himself had placed it there, obeying
a half-humorous whim: the image and the singing stones were both
magnificently older than history, so why shouldn't they live together?
Whenever he dusted the marimba, he dusted the image respectfully and
its pedestal. It would not have taken much urging from the impulses of
a lonely mind, he supposed, to make him place offerings before it and
bow down--winking first, of course, to indicate that rituals suitable
to two aging gentlemen did not have to be sensible in order to be good.
But now the clay face, recapitulating eternity, startled him. Possibly
some flicker of the candle had given it a new mimicry of life.
Though worn with antiquity, it was not deformed. The chipped places
were simple honorable scars. The two faces stared mildly from the
single head; there were plain stylized lines to represent folded hands,
equally artless marks of sex on either side. That was all. The maker
might have intended it to be a child's toy or a god.
A wooden hammer of modern make rested on the marimba. Softly, Brian
tapped a few of the stones. He struck the shrillest one harder, waking
many slow-dying overtones, and laid the hammer down, listening until
the last murmur perished and a drop of hot wax hurt his thumb.
He returned to his cave and blew out the candle, thinking of the door,
not caring that he had, in irrational bravado, left it unlocked. Face
down, he rolled his head and clenched his fingers into his pallet,
seeking in pain and finding at last the relief of stormy helpless
weeping in the total dark.
Then he slept.
* * * * *
They looked timid. The evidence of it was in their tense squatting
pose, not in what the feeble light allowed Brian to see of their faces,
which were as blank as rock. Hunched down just inside the open doorway
of the cloakroom-cave, a dim morning grayness from the Hall of Music
behind them, they were ready for flight. Brian's intelligence warned
his body to stay motionless, for readiness for flight could also be
readiness for attack. He studied them, lowering his eyelids to a slit.
On his pallet well inside the cave, he must be in deep shadow.
They were aware of him, though, keenly aware.
They were very young, perhaps sixteen or seventeen years old,
firm-muscled, the man slim but heavy in the shoulders, the girl a fully
developed woman. They were dressed alike: loin-cloths of some coarse
dull fabric and moccasins that might be deerhide. Their hair grew
nearly to the shoulders and was cut off carelessly there, but they were
evidently in the habit of combing it. They appeared to be clean. Their
complexion, so far as Brian could guess it in the meager light, was the
brown of a heavy tan.
With no immediate awareness of emotion, he decided they were beautiful,
and then, within his own poised, perilous silence, Brian reminded
himself that the young are always beautiful.
Public-domain text, read in full here on John Shaqi.
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