The music of the spheres : $b A nature lover's astronomyGrondal, Florence Armstrong
Science
The music of the spheres : $b A nature lover's astronomy
Grondal, Florence Armstrong
Astronomy
When the world was young, people gazed in never-ending wonder as the
darkness of the heavens filled up with the lights of stars. According to
an old Malayan story the stars were the children of the Moon-mother, who
brought her children out only at night when the jealous sun, who had no
children, was far away on the other side of the earth. The ancient
Greeks believed that night came because the God of the Sun drove his
sun-chariot along the invisible edge of the western ocean when he
returned from the west to the east. All the natural laws of Nature were
explained in some such naïve manner by the ancient peoples; the imagery
of the Greeks is especially interesting, for they impressed shadowy
figures on the very stars. These figures have given names to the
constellations, or groups of stars, and to the student of Nature, the
legends of these heroes traced in the sky add to the charm of the stars
in the same manner that the delicate aroma of the rose enhances its
loveliness.
Later, these remarkable people, in trying to account for the fixed and
orderly movement of the stars as they slowly passed from east to west,
adduced that they must be fastened in crystal spheres which whirled, one
within the other, over and under the motionless disk of the earth. They
noted that a few of these luminaries followed a wandering course, and so
called them "planets"--which means "wandering stars." Since some of
these wandering stars moved swiftly and others moved more slowly, they
fancied, in their beautiful way of explaining things, that these
different rates of speed must cause a musical tone as each star rolled
upon its crystal, a deep note for the slow bodies and a high note for
the swift bodies, and that with the infinite swelling harmony of all the
myriad stars, one vast sweeping tone of heavenly music swirled around
the spheres. But this music was for the gods and no mortal could hear
it.
Our modern music of the spheres is no more audible to our dulled ears
than the music of those ancient days, yet its silent song of light and
color, its mystic setting of ancient tales, and its wonder background of
scientific fact, descends in the same sweet way to all hearts lifted to
receive it. Yet many people miss all this and only know that the stars
are there.
It is easy to become acquainted with the more conspicuous of the
star-designs which are formed by the brightest stars in a constellation
for these seem to hang down from the dome of heaven like electrically
lighted frames. Some of these, such as the "W" of Cassiopeia, the
"Square" of Pegasus, the "parallelogram" of Orion, the Northern Cross
and the Big Dipper, are not only ornaments in the sky, but serve also as
guides to point the way to other constellations.
Public-domain text, read in full here on John Shaqi.
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