Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
She, after her first look of amazed incredulity, felt backward with her
hand for the support of the wall, and then gradually sank upon the seat,
an expression, partly fear, overspreading her now colourless face. As
Marsten went impetuously on, her head dropped upon her hands, and thus
she remained while he spoke.
A pause ensued, so deep and silent that Marsten, as he leaned his hand
against the door-post, afraid to move forward or retreat, heard the
distant girlish laughter, free from any thought of problems other than
those of the schoolroom. He knew he should remember every trivial detail
of the place all his life,--the broom that lay at his feet; the book
which had fallen open-leaved upon the floor; even the title glittering
in gold on the side, which sent no meaning to his mind except one
word that caught his attention,--“Courtship” (“The Courtship of
Miles Standish” was the whole phrase), and he wondered vaguely if the
courtship had prospered. Rapidly as his wondering eye gathered up the
accessories of the scene, it always returned to the bowed and silent
figure before him, and something in the outlines of her drooping
shoulders told him intuitively of a change--elusive, but real. His mind
had been too much occupied with the hard realities of life to indulge
in speculative analysis of any sort, but now it was uplifted, touched by
the magic wand of love, and endowed with: a subtle perception unknown to
him before. He saw that the girl, who, as a child, welcomed him, would,
as a woman, bid him farewell.
At last she slowly shook her head.
“It cannot be--it cannot be!” she murmured.
“Not now. I know that--I don’t ask that!” he cried, eagerly. “But--some
time--some time?”
The girl did not look up.
“It can never be--never!” she said.
“All I want is a chance--a fair chance. Don’t--oh, please don’t say ‘No’
or ‘Yes’ now! Your father is prejudiced against me, I know; not against
me personally, I think, but because I am poor: it is only another
expression of his great love for you. He knows what poverty is, and he
wants to shield you from it. He is right, and if I am as poor two years
from now, or four years, I shall not ask--”
“Does my father know?”
“Yes. I told him that night--the night you first spoke to me. That is
why he is angry.”
“Then that is why you--that is the reason--when you were in the
garden----”
“Yes, that is why I was afraid to have him find me there.”
Public-domain text, read in full here on John Shaqi.
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