Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
“Don’t go just yet. I have not half finished. Here is what I have to
propose. Give up your room and come with me. You see the great advantage
I have over you is that I can wait. If a magazine asked me to do black
and white work for it, I would say, ‘No, go to those poor devils who
must have work or starve. I’m working for the future, not for the
present!’ That’s what I’d say. Now I’ll give you a bedroom, rent free,
and a corner of this studio. It won’t cost you a penny--nor your board
either. You can paint just what you like, and not what the public
demands. Then you will be independent.”
“We have different views about things, Barney. That would seem to me
the worst form of dependence. It is very generous of you, but utterly
impracticable; besides, you haven’t thought of the danger of my becoming
a mere copyist of you--a shadow of the new individualist. I couldn’t
risk that, you know.”
“Better become the shadow of one man, than a shadow of many, which you
are now.”
“Perhaps; but we each must hoe our own row in our own way. Good-by,
Barney.”
Haldiman went down-stairs, not cheered as much as might have been
expected by Hope’s overflowing good nature and generosity. He met
Barney’s mother on the stairs, who gave him a head-to-foot glance of
evident disapproval. She did not admire the set with whom her son
had thrown in his lot, and feared their influence on him would not be
beneficial.
“Oh, mater!” cried Barney, when she entered. “I did not expect you
to-day. How did you find the place?”
His mother raised her lorgnette to her eyes and surveyed the room in
silence.
“So this is the studio, Barnard,” she said, at last. “I don’t think much
of it. Why is it all untidy like this?--or haven’t you had time to get
it in order yet?”
“This is the kind of thing we artists go in for, mater. It is as much in
order as it ever will be.”
“Then I don’t like it. Why could you not have had a man in to lay one
carpet as it should be laid? These rugs, all scattered about in this
careless way, trip one up so. What’s this old iron for?”
“That’s armour, mater.”
“Oh, is it? I don’t see how any one can do useful work in a room like
this, still I suppose it is good enough to paint in. I found the place
easily enough. Trust a neighbourhood to know where there is any extra
foolishness going on. Of course you have been cheated in everything you
bought. But that’s neither here nor there. I came to talk with you about
the business.”
“What business, mater?”
“What business? _The_ business, of course. Your father’s business and
yours, for I hope the time will come when you will take more interest in
it than you do now. The men, it seems, talk of going on strike.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account