Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
“Yes,” continued Barney, placidly; “so I went to the workmen to see what
_they_ had to say about it. They said at once that the capital had been
refunded over and over again. I went back to Sartwell to see if this
were true, and it was true. Well, then----”
“What then?”
“Under the circumstances it seemed to me that the workmen had made a
most magnanimous proposal. If a man would paint a picture for me which I
could sell for five hundred pounds and he was content to take fifty for
it and leave me the other four hundred and fifty, I should think him the
most generous of men.”
“Stop talking nonsense, please. Is Sartwell going to receive the men?”
“I suppose so.”
“Then you must instantly go back to the city and tell him he is to do
nothing of the sort.”
“But, mater--” protested the young man. He looked uneasily around the
room and saw that Lady Mary had slipped away unperceived.
“Don’t talk. You’ve done enough harm already. Try and undo it.”
“But I say! It’s rather rough on me, mater. When you promised me a
cheque for three hundred, I didn’t imagine I would have to see old
Sartwell a second time and take back all I said. He would think me an
ass then.”
“He thinks it already. But it doesn’t matter what he thinks. It is what
he does that you have to deal with. You must see him at once and stop
this nonsense about a conference.”
Barney shook his head dolefully.
“I don’t see how I can face him again, mater. I’d rather lose the
three-hundred-pound cheque.”
“The cheque has nothing to do with the question. I should hope you are
not attending to this for the three hundred pounds. But I’ll write you
a cheque for five hundred, if that will satisfy you. Then I hope to hear
no more about five hundred a year. Be consistent at least, Barnard.”
“Thanks, mater, I’ll try. And while you are writing out the cheque I’ll
have a word with Lady Mary.”
“Very well,” said his mother, rising. The request did not seem to
displease her.
When the young lady came in Barney was wonderfully bright after his long
discussion.
“I was afraid I was in the way,” said Lady Mary, modestly, “I don’t know
much about work-people.”
“The labour question,” said Barney, “is an exceedingly intricate one,
and I’m afraid I don’t quite understand it in all its bearings myself;
but it’s most interesting, I assure you--most interesting. I’m a
labouring man myself, now. I’ve got my studio all fitted upland I work
like a--let’s see, is it a Turk--or a nigger?”
“I think a nailer is the simile you want.”
“Very likely. I don’t suppose a Turk works if he can help it. Oh, by the
way, Lady Mary, I have ‘At Homes’ at my studio every Tuesday from three
till five. I wish you would come. Get your father to bring you. I want
a real live Lord, don’t you know, to--well--to give tone to the
gathering.”
Lady Mary laughed.
“I should like to go very much. I was never in a studio since I had my
portrait painted. I’ll ask my father, but he doesn’t go out very often.”
Public-domain text, read in full here on John Shaqi.
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