Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
In Rose Garden Court there was more than one family that might be
likened to an accordion, because of the facility with which it could be
compressed or extended. The Scimmins household could occupy the three
rooms it rented in the court, or it could get along with two, or
even one if need be. The spare space was sub-let whenever opportunity
offered, and here Langly found lodging that had at least the merit
of cheapness. The policeman at the entrance of the court looked
suspiciously after the new-comer, and resolved to keep an eye on him.
The organist had a habit of muttering truculently to himself as he
walked the streets, and his nervous hands were never a moment at rest,
the long slim fingers playing imaginary keys or chords, inaudible
outside of his own musical imagination.
When the already suspicious policeman at the entrance of the court saw
the musician come out, clawing the empty air with the two forefingers
of either hand crooked like talons, a fearful frown on his brow, and an
ominous muttering in his throat, the officer said to himself:
“There goes a hanarchist, if ever there was one,” not knowing that
the poor little man was merely pulling the stops of a mythical organ,
immense in size and heavenly in tone. The police always looked askance
at Langly when he moved into a new locality, until they learned that he
was the organist at St. Martyrs-in-the-East.
One night, shortly after he took the back room two flights up at No. 3,
Langly came down the common stairway, and paused in amaze at the landing
opposite Braunt’s door. He heard some one within, slowly and fearfully
murdering Chopin’s _Funeral March_, part first. The sound made him
writhe, and he crouched by the door, his fingers mechanically drumming
against the panel, repressing with difficulty a desire to cry out
against the profanation of a harmony that seemed sacred to him. The
drone stopped suddenly, and next instant the door was jerked open,
causing the amazed listener to stumble into the room, where, as it
seemed to him, a giant pounced down, clutched his shoulders, and flung
him in a heap on the floor by the opposite wall. Then, kicking the
door shut, the giant, with fists clenched and face distorted with rage,
towered over the prostrate man.
“You miserable sneaking scoundrel!” cried Braunt. “So that’s why you
took a room with the Scimminses--to ferret and spy on me. I’ve seen you
crawling up these stairs, afraid to look any honest man in the face.
Because I took no strike pay Gibbons wants to know how I live, does he?
I’m up to his tricks. You’re Gibbons’s spy, and he has sent you to live
with that other sneak, Scimmins. Scimmins himself was afraid, for he
knows already the weight of my hand. Now,” continued Braunt, rolling up
his sleeves, “I’ll serve you as I did Scimmins. I’ll throw you over
the banisters, and you can report that to Gibbons, and tell him to come
himself next time, and I’ll break every bone in his body.”
Public-domain text, read in full here on John Shaqi.
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