Factories -- Fiction; London (England) -- Fiction; Love stories; Strikes and lockouts -- Fiction
Jessie clung to her father, begging him in tears not to hurt the poor
man. Braunt shook her off, but not unkindly.
“Sit thee down, Jessie, lass, and don’t worrit me. I’ll but drop the bag
o’ bones on the stairs, and serve him right for a sneak.”
Langly, encouraged by his antagonist’s change of tone in speaking to the
girl, ventured to falter forth:
“I assure you, sir----”
“Don’t ‘sir’ me, you hound,” cried Braunt, turning fiercely upon him,
“and don’t dare to deny you are one of Gibbons’s spies. I caught you at
it, remember.”
“I’ll deny nothing, if it displeases you; but I never heard of Gibbons
in my life, and I’m only a poor organist. I stopped at the door on
hearing the harmonium. For no other reason, I assure you. I know I
oughtn’t to have done it, and I suppose I am a sneak. I’ll never do it
again, never, if you will excuse me this time.”
There was something so abject in the musician’s manner that Braunt’s
resentment was increased rather than diminished by the appeal. He had a
big man’s contempt for anything small and cringing.
“Oh, you’re an organist, are you? Likely story! Organists don’t live in
Garden Court. But we’ll see, we’ll see. Get up.”
Langly gathered himself together, and rose unsteadily to his feet. Every
movement he made augmented the other’s suspicion.
“Now,” said Braunt, with the definite air of a man who has his opponent
in a corner, “sit down at the harmonium and play. You’re an organist,
remember.”
“Yes,” protested Langly, “but I don’t know that I can play on that
instrument at all. I play a church organ.”
“An organ’s an organ, whether it is in church or out. If you can play
the one, you can play the other.”
The young man hesitated, and was nearly lost. Braunt’s fingers itched to
get at him, and probably only the presence of the girl restrained him so
far.
“Have you any music?” asked Langly.
“No, we haven’t. She plays by ear.”
“Will you allow me to go up-stairs and bring some sheet music?”
This was a little too transparent.
“Now, by God!” cried Braunt, bringing his fist down on the table. “Stand
there chattering another minute, and I’ll break thy neck down the stair.
Sit thee down, Jessie, an’ don’t interfere. The man plays or he doesn’t.
I knew he was a liar, an’ he quakes there because it’s to be proven.
Now, coward, the organ or the stairs--make thy choice quickly.”
Public-domain text, read in full here on John Shaqi.
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