The Mute Stones Speak: The Story of Archaeology in Italy — John Shaqi
The Mute Stones Speak: The Story of Archaeology in ItalyMacKendrick, Paul Lachlan
History
The Mute Stones Speak: The Story of Archaeology in Italy
MacKendrick, Paul Lachlan
Italy -- Antiquities
13.8 343 Vatican City, excavations under St. Peter’s,
Mausoleum F, stuccoes
13.9 346 Vatican City, excavations under St. Peter’s,
Campo P, plan
13.10 348 Vatican City, excavations under St. Peter’s,
Aedicula, reconstruction
1
Prehistoric Italy
In May of 1945 two young British Army officers, John Bradford and Peter
Williams-Hunt, based with the R.A.F. at Foggia in the province of
Puglia, near the heel of Italy, found that the World War II armistice
left them with time on their hands. Both trained archaeologists, they
readily prevailed upon the R.A.F. to combine routine training flights
with pushing back the frontiers of science. The result of their air
reconnaissance was to change profoundly the archaeological map of Italy.
The value of air-photography for archaeology had long been known; as
early as 1909 pictures taken from a balloon had revealed the plan of
Ostia, the port of ancient Rome. But the English, especially such
pioneers as Major G. W. G. Allen and O. G. S. Crawford, early took
the lead in interpreting, on photographs taken usually for military
purposes, vegetation-marks showing the presence and plan of ancient
sites buried beneath the soil, and invisible to the groundling’s eye.
Where the subsoil has been disturbed in antiquity by the digging of a
ditch, the increased depth of soil will produce more luxuriant crops
or weeds; where soil-depth is decreased by the presence of ancient
foundations, walls, floors, or roads, the crop will be thin, stunted,
lighter in color. Air-photographs taken in raking light, just after
sunrise or just before sunset in a dry season, especially over
grassland, will highlight these buried landscapes. The Tavoliere, the
great prairie where Foggia lies, thirty by fifty-five miles in extent,
suits these conditions admirably; its mean annual rainfall is only 18.6
inches (0.6 in July) or half that of Rome, and Rome is a dry place, at
least in summer. So Bradford and Williams-Hunt had high hopes for their
project.
In a Fairchild high-wing monoplane, in which the position of struts
and nacelles does not interfere with the operation of a hand-held
camera, they took oblique shots at 1,000 feet with an air camera of
8-inch focal length. For vertical shots they used, at 10,000 feet, air
cameras of 20-inch focal length, mounted tandem to produce overlap for
stereoscopic examination, which makes pictures three-dimensional. The
thousands of resulting photographs were at a scale of about 1:6000, or
ten inches to the mile, over four times as large as the best available
ground maps (the 1:25,000 series of the Italian Istituto Geografico
Militare.)
Public-domain text, read in full here on John Shaqi.
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