Mr. Pike is not quite himself. He is obsessed, I know beyond any doubt, with the idea of vengeance on the second mate. On divers occasions, now, I have come unexpectedly upon him and found him muttering to himself with grim set face, or clenching and unclenching his big square fists and grinding his teeth. His conversation continually runs upon the feasibility of our making a night attack for’ard, and he is perpetually questioning Tom Spink and Louis on their ideas of where the various men may be sleeping—the point of which always is: _Where is the second mate likely to be sleeping_? No later than yesterday afternoon did he give me most positive proof of his obsession. It was four o’clock, the beginning of the first dog-watch, and he had just relieved me. So careless have we grown, that we now stand in broad daylight at the exposed break of the poop. Nobody shoots at us, and, occasionally, over the top of the for’ard-house, Shorty sticks up his head and grins or makes clownish faces at us. At such times Mr. Pike studies Shorty’s features through the telescope in an effort to find signs of starvation. Yet he admits dolefully that Shorty is looking fleshed-up. But to return. Mr. Pike had just relieved me yesterday afternoon, when the second mate climbed the forecastle-head and sauntered to the very eyes of the _Elsinore_, where he stood gazing overside. “Take a crack at ’m,” Mr. Pike said. It was a long shot, and I was taking slow and careful aim, when he touched my arm. “No; don’t,” he said. I lowered the little rifle and looked at him inquiringly. “You might hit him,” he explained. “And I want him for myself.” * * * * * Life is never what we expect it to be. All our voyage from Baltimore south to the Horn and around the Horn has been marked by violence and death. And now that it has culminated in open mutiny there is no more violence, much less death. We keep to ourselves aft, and the mutineers keep to themselves for’ard. There is no more harshness, no more snarling and bellowing of commands; and in this fine weather a general festival obtains. Aft, Mr. Pike and Margaret alternate with phonograph and piano; and for’ard, although we cannot see them, a full-fledged “foo-foo” band makes most of the day and night hideous. A squealing accordion that Tom Spink says was the property of Mike Cipriani is played by Guido Bombini, who sets the pace and seems the leader of the foo-foo. There are two broken-reeded harmonicas. Someone plays a jew’s-harp. Then there are home-made fifes and whistles and drums, combs covered with paper, extemporized triangles, and bones made from ribs of salt horse such as negro minstrels use.