The whole crew seems to compose the band, and, like a lot of monkey-folk rejoicing in rude rhythm, emphasizes the beat by hammering kerosene cans, frying-pans, and all sorts of things metallic or reverberant. Some genius has rigged a line to the clapper of the ship’s bell on the forecastle-head and clangs it horribly in the big foo-foo crises, though Bombini can be heard censuring him severely on occasion. And to cap it all, the fog-horn machine pumps in at the oddest moments in imitation of a big bass viol. And this is mutiny on the high seas! Almost every hour of my deck-watches I listen to this infernal din, and am maddened into desire to join with Mr. Pike in a night attack and put these rebellious and inharmonious slaves to work. Yet they are not entirely inharmonious. Guido Bombini has a respectable though untrained tenor voice, and has surprised me by a variety of selections, not only from Verdi, but from Wagner and Massenet. Bert Rhine and his crowd are full of rag-time junk, and one phrase that has caught the fancy of all hands, and which they roar out at all times, is: “_It’s a bear_! _It’s a bear_! _It’s a bear_!” This morning Nancy, evidently very strongly urged, gave a doleful rendering of _Flying Cloud_. Yes, and in the second dog-watch last evening our three topaz-eyed dreamers sang some folk-song strangely sweet and sad. And this is mutiny! As I write I can scarcely believe it. Yet I know Mr. Pike keeps the watch over my head. I hear the shrill laughter of the steward and Louis over some ancient Chinese joke. Wada and the sail-makers, in the pantry, are, I know, talking Japanese politics. And from across the cabin, along the narrow halls, I can hear Margaret softly humming as she goes to bed. But all doubts vanish at the stroke of eight bells, when I go on deck to relieve Mr. Pike, who lingers a moment for a “gam,” as he calls it. “Say,” he said confidentially, “you and I can clean out the whole gang. All we got to do is sneak for’ard and turn loose. As soon as we begin to shoot up, half of ’em’ll bolt aft—lobsters like Nancy, an’ Sundry Buyers, an’ Jacobsen, an’ Bob, an’ Shorty, an’ them three castaways, for instance. An’ while they’re doin’ that, an’ our bunch on the poop is takin’ ’em in, you an’ me can make a pretty big hole in them that’s left. What d’ye say?” I hesitated, thinking of Margaret. “Why, say,” he urged, “once I jumped into that fo’c’s’le, at close range, I’d start right in, blim-blam-blim, fast as you could wink, nailing them gangsters, an’ Bombini, an’ the Sheeny, an’ Deacon, an’ the Cockney, an’ Mulligan Jacobs, an’ . . . an’ . . . Waltham.” “That would be nine,” I smiled. “You’ve only eight shots in your Colt.” Mr. Pike considered a moment, and revised his list. “All right,” he agreed, “I guess I’ll have to let Jacobs go. What d’ye say? Are you game?” Still I hesitated, but before I could speak he anticipated me and returned to his fidelity.