Oh, trust me, I knew the way of red blood. Such was my condition that
the red-blood health of Miss West was virtually an affront to me—for I
knew how unthinking and immoderate such blood could be. And for five
months at least—there was Mr. Pike’s offered wager of a pound of
tobacco or a month’s wages to that effect—I was to be pent on the same
ship with her. As sure as cosmic sap was cosmic sap, just that sure was
I that ere the voyage was over I should be pestered by her making love
to me. Please do not mistake me. My certainty in this matter was due,
not to any exalted sense of my own desirableness to women, but to my
anything but exalted concept of women as instinctive huntresses of men.
In my experience women hunted men with quite the same blind tropism
that marks the pursuit of the sun by the sunflower, the pursuit of
attachable surfaces by the tendrils of the grapevine.
Call me blasé—I do not mind, if by blasé is meant the world-weariness,
intellectual, artistic, sensational, which can come to a young man of
thirty. For I was thirty, and I was weary of all these things—weary and
in doubt. It was because of this state that I was undertaking the
voyage. I wanted to get away by myself, to get away from all these
things, and, with proper perspective, mull the matter over.
It sometimes seemed to me that the culmination of this world-sickness
had been brought about by the success of my play—my first play, as
every one knows. But it had been such a success that it raised the
doubt in my own mind, just as the success of my several volumes of
verse had raised doubts. Was the public right? Were the critics right?
Surely the function of the artist was to voice life, yet what did I
know of life?
So you begin to glimpse what I mean by the world-sickness that
afflicted me. Really, I had been, and was, very sick. Mad thoughts of
isolating myself entirely from the world had hounded me. I had even
canvassed the idea of going to Molokai and devoting the rest of my
years to the lepers—I, who was thirty years old, and healthy and
strong, who had no particular tragedy, who had a bigger income than I
knew how to spend, who by my own achievement had put my name on the
lips of men and proved myself a power to be reckoned with—I was that
mad that I had considered the lazar house for a destiny.
Perhaps it will be suggested that success had turned my head. Very
well. Granted. But the turned head remains a fact, an incontrovertible
fact—my sickness, if you will, and a real sickness, and a fact. This I
knew: I had reached an intellectual and artistic climacteric, a
life-climacteric of some sort. And I had diagnosed my own case and
prescribed this voyage. And here was the atrociously healthy and
profoundly feminine Miss West along—the very last ingredient I would
have considered introducing into my prescription.
Public-domain text, read in full here on John Shaqi.
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