The Mysteries and Miseries of San Francisco: Showing up all the various characters and notabilities, (both in high and low life) that have figured in San Franciso since its settlement.A Californian
General
The Mysteries and Miseries of San Francisco: Showing up all the various characters and notabilities, (both in high and low life) that have figured in San Franciso since its settlement.
A Californian
San Francisco (Calif.) -- Fiction
They were just passing a clump of dense shrubbery as he spoke, and
hardly had the last word left his lips ere his spirited steed reared,
and had he not been a matchless rider, he must have been hurled headlong
from the saddle. As it was, before he fully recovered his seat, a lariat
was thrown over his head, and his arms firmly secured to his side. While
two men, armed with revolvers, held his horse firmly by the reins—their
weapons pointed at his breast.
‘Make a single attempt to escape, and we’ll riddle your carcase with
bullets,’ shouted one of his assailants.
‘Shoot the d—d greaser, at once’t,’ cried a low-browed, villainous
looking fellow.
‘Curse the yellar skinned devil, I believe he’s glued to the saddle,’
said the first speaker as he tried in vain to pull Joaquin from his
seat, the latter meanwhile urging his horse forward but in vain, so
firmly was he held by the man who had seized his horse by the head.
The assault had been so unexpected that for a brief instant the young
Californian had forgotten Carmencitto, but now a wild piercing shriek
recalled her to his mind, and turning round he beheld her dragged from
her horse to the earth. His arms were bound, but his feet were at
liberty, and he dashed his heavy boots into the face of the men who held
his steed. But the same moment a brace of bullets whizzed through the
air, and after a few convulsive clutches the young man fell heavily to
the earth.
Leaving him, where he had fallen, the men rushed to the assistance of
the fellow who had dragged the lady from her steed.
‘For God’s sake, gentlemen, don’t kill Joaquin. He has never injured
you.’
‘Don’t fret, honey, ’tisn’t Joe Quin we’re after. ‘Tis your own elegant
self,’ said one of the ruffians.
‘So, you d—d stuck-up thing, you wouldn’t dance with me at your
outlandish fandango, the other night. Now, my lady, you shall dance to
other music;’ and as he spoke he seized her brutally, and inflicted
several fierce kisses upon her reluctant lips. Fired by her charms and
her resistance, the villain was proceeding to further outrage, when, all
her woman’s nature flashing from her indignant eyes, she drew a small
thin-bladed stiletto, and sent its bright blade straight to the heart of
the ravisher. For a moment, and but for a moment, the villains were
appalled at this prompt and terrible retribution. But even the thought
of their guilty comrade hurried out of the world in the very act of
perpetrating the most heinous offence, could not make them pause in
their infernal intentions, for seizing the hapless woman, now become
insensible, they bore her into a clump of bushes from which they had
sprung upon Joaquin and his bride.
Hours after, when Joaquin returned to consciousness, he found himself
bound hand and foot, with strips of green hide. His horse and that of
Carmencitto both gone.
Public-domain text, read in full here on John Shaqi.
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