The Mysteries and Miseries of San Francisco: Showing up all the various characters and notabilities, (both in high and low life) that have figured in San Franciso since its settlement.A Californian
General
The Mysteries and Miseries of San Francisco: Showing up all the various characters and notabilities, (both in high and low life) that have figured in San Franciso since its settlement.
A Californian
San Francisco (Calif.) -- Fiction
Joaquin’s first impulse was to call aloud upon the name of his young
wife. But all was silent. ‘Holy Virgin!’ he exclaimed, as recollection
began fully to return to him. ‘Where art thou, Carmencitto?’ he shouted.
A low, faint moaning was heard in the neighboring shrubbery. Again, and
again, the wretched youth called loudly on Carmencitto. But the only
replies he received were the faint moanings, which his foreboding heart,
rather than his ear, told him came from the lips of Carmencitto. His
suspense became insupportable. He would—he must—learn all. Even though
that all confirmed a horrid suspicion that chilled the blood to his very
heart.
With the fierceness of a starving coyote he gnawed the green hide that
confined his arms, and they once released he soon entirely disengaged
himself. He sprang to his feet, and rushed in the direction from whence
the sounds of distress proceeded. Better had he been smitten with
eternal blindness than ever have gazed upon that sad, sad spectacle.
Carmencitto lay almost senseless upon the grass. Her modest garments
torn to shreds, exposed her fair young bosom, slowly heaving, as if with
the latest sobs of expiring life. Her cheeks were colorless. Her lips
white as chalk, except where they were dabbled with the crimson blood,
that was slowly oozing at every respiration of her heaving breast! In
one of her little pale hands she clutched a small gold crucifix, which
the villains had overlooked in their lust or haste.
As Joaquin burst through the thicket and stood before her, the closed
lids of her black eyes slowly opened, and she cast one look full of love
and sorrow upon her heart-broken husband.
Tearing his black locks he flung himself on his knees by her side, and
tenderly raising her, he pressed her to his heart and while he wiped the
blood from her lips, his tears fell thick and fast upon her upturned
face.
‘Speak to me, oh! speak to me, Carmencitto. My life! My love! Speak! Oh,
God, what have I done to deserve this? Speak, dearest Carmencitto,’ and
he pressed the form of his young wife again and again close to his
heart. But no reply came from those dear lips.
Near at hand ran a babbling rivulet. To this Joaquin rushed, and
scooping out some water in the hollow of his joined hands, laved with it
the face of Carmencitto. But all in vain. Life had forever left that
darling form, dearer to him than all the gold that strews the placers of
his native land.
When Joaquin became certain that she was indeed dead, his grief at first
found vent in the most pathetic lamentations; but suddenly pausing, he
dashed the teardrops from his eyes, and drawing a dagger from its
sheath, he swore upon its cross-hilt eternal vengeance on the ravishers
and murderers of his Carmencitto.
Then decently arranging her disordered garments, he lifted her sacred
form in his arms, and bore it to his home—henceforth forever desolate.
Public-domain text, read in full here on John Shaqi.
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