The Mysteries of All Nations: Rise and Progress of Superstition, Laws Against and Trials of Witches, Ancient and Modern Delusions Together with Strange Customs, Fables, and TalesGrant, James (Archaeologist)
History
The Mysteries of All Nations: Rise and Progress of Superstition, Laws Against and Trials of Witches, Ancient and Modern Delusions Together with Strange Customs, Fables, and Tales
Grant, James (Archaeologist)
Occultism; Superstition; Trials (Witchcraft)
Poets have done much to fan the flame of superstition. They have
indulged in prophetic verse, and handed down to posterity the strange
belief of our ancestors. Certain Druids, called Bardi, were well known
to be versed in astrology. They are supposed to have been the same, in
particular respects, among the Britons as the Sophi among the Greeks,
or the Magi among the Persians. Having been chosen from the best
families in the land, the Bardi were held in the highest esteem by the
common people; and the children of the chiefs were instructed by them.
Their practical verses were never written, but given to their pupils
_viva voce_, that they might assist in conveying them orally to the
people. The Bardi dealt in particular charms, such as serpents' eggs,
gathered in a particular way, and under certain phases of the moon.
These eggs were imagined to be effectual for the gaining of law-suits,
and for the securing of the good graces of princes. The Vates (another
class of Druids), if not the Bardi, sought for omens among the
entrails of victims offered in sacrifice.
The Bards, at various periods, possessed uncommon privileges, but
these were from time to time diminished or increased, according to the
caprice of those under whose government they lived. Almost every
nobleman of distinction maintained bards in his family, and treated
them with great consideration. Queen Elizabeth, however, acted
differently: she ordered bards and minstrels to be hanged as traitors,
as she believed they instigated rebellion by their songs. Bards
followed clans to the field, where they eulogized the chiefs, and sang
in extravagant verse the deeds of the favourite warriors. Before a
battle, they went from tribe to tribe, or from clan to clan, exhorting
and encouraging by prophetic sayings, in which success to friends was
foretold and the doom of enemies pronounced. In the tumult of fight,
when the bards' voices could not be heard, they were succeeded by
pipers, who with inspiring warlike strains kept alive the enthusiasm
the composers of verse had kindled. After the contest was sounded, the
bards were employed to honour the memory of the brave that had fallen
in battle, to celebrate the deeds of those who survived, and to excite
to future acts of heroism. The piper was called upon, in turn, to
sound mournful lamentations for the slain. In poetical language, the
people were told that the dead sympathized with the living left behind
to maintain the honour of their clans or country. Messages were given
to dying friends, that they might be delivered to the spirits of
relatives in another world. Highlanders imagined they heard, in the
passing gale, the voices of departed relatives, and in their solitude
they beheld the forms of their fathers in the bright clouds. In cases
of emergency, the spirit of the mountains gave friendly warnings,
which enabled cautioned ones to avoid dangers, that otherwise could
neither be foreseen nor prevented.
Public-domain text, read in full here on John Shaqi.
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