The Mysteries of Heron Dyke: A Novel of Incident. Volume 1 (of 3) — John Shaqi
The Mysteries of Heron Dyke: A Novel of Incident. Volume 1 (of 3)Speight, T. W. (Thomas Wilkinson)
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The Mysteries of Heron Dyke: A Novel of Incident. Volume 1 (of 3)
Speight, T. W. (Thomas Wilkinson)
Detective and mystery stories; English fiction -- 19th century
"They have met before," thought Captain Lennox to himself. He was
looking on from his seat close by, and he watched narrowly for a gleam
of recognition between them. But no such look came into the eyes of
either. The Captain, who had a keen nose for anything not above board,
turned the matter over in his mind. "That start had a meaning in it,"
he mused. "There's more under the surface than shows itself at
present."
Conroy never forgot the picture that stamped itself on his memory the
first moment he set eyes on Ella Winter. He saw before him a tall,
slender girl, whose gait and movements were as free and stately as
those of a queen. She had hair of the colour of chestnuts when at
their ripest, and large luminous eyes of darkest blue. The eyebrows
were thick and nearly straight, and darker in colour than her hair.
Her face was a delightful one in the mingled expression of gravity and
sweetness--the gravity was often near akin to melancholy--that
habitually rested upon it. A forehead broad, but not very high; a
straight, clear-cut nose with delicate nostrils; lips that were,
perhaps, a trifle over-full, but that lacked nothing of purpose or
decision; a firm, rounded chin with one dainty dimple in it: such was
Ella Winter as first seen by Edward Conroy. This evening she wore a
dress of rich but sober-tinted marone, relieved with lace of a creamy
white.
"I have often wished to see her," muttered Conroy to himself. "Now I
have seen her, and I am satisfied."
Mrs. Carlyon had the portfolio taken into her boudoir so as to be
clear of the music and conversation in the larger room, and there a
little group gathered round to examine and comment upon the sketches,
and to listen to Conroy's few direct words of explanation whenever any
such were needed.
Ella stood and looked on, listening to Mr. Conroy's remarks and to the
comments of those around her, and only giving utterance to a
monosyllable now and then. "This man differs, somehow, from other
men," was her unspoken thought. "He is a man carved out by hand; not
one of a thousand turned out by lathe, and all so much alike that you
cannot tell one from another. He has individuality. He interests me."
She was taking but little apparent interest in what was going on
before her; but, for all that, she lost no word that was said. She
stood, fan in hand, her arms crossed before her, her fingers
interknit, her eyes, with a look of grave, sweet inquiry in them, bent
on Conroy's face. "Aunt shall ask him to leave his portfolio till
tomorrow," she thought, "and after these people are gone I can have
his sketches all to myself."
Public-domain text, read in full here on John Shaqi.
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