The Mysteries of Heron Dyke: A Novel of Incident. Volume 1 (of 3)Speight, T. W. (Thomas Wilkinson)
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The Mysteries of Heron Dyke: A Novel of Incident. Volume 1 (of 3)
Speight, T. W. (Thomas Wilkinson)
Detective and mystery stories; English fiction -- 19th century
The room into which Lennox was ushered, after leaving his handbag and
cane outside, was a large apartment, with a sort of sombre stateliness
about it which might be imposing, but which was certainly anything but
cheerful. Cheerful, indeed, on the brightest day in summer it was
hardly possible that this room could be. Its panelled walls were black
with age. Here and there a family portrait, dim and faded, and
incrusted with the accumulated grime of generations, stared out at you
with ghostly eyes from the more ghostly depths of blackness behind it.
Whatever colour the ceiling might once have been, it was now one dull
pervading hue of dingy brown. Two or three Indian rugs on the floor; a
bureau carved with leaves and flowers, from the midst of which queer
faces peeped out; two or three tables with twisted legs; an Oriental
jar or two, and a few straight-backed chairs, formed, with two
exceptions, the sole furniture of the room. The windows were high
and narrow, and three in number. They were filled with small
lozenge-shaped panes of thick greenish glass, set in lead; through
which even the brightest summer sunlight penetrated with a chastened
lustre, as though it were half afraid to venture inside. It was night
now, and in the silver sconces over the chimney-piece, and in the
silver candlesticks on one of the tables, some half-dozen wax-candles
were alight; but in that big gloomy room their feeble flame seemed to
do little more than make darkness visible. High up in the middle
window was the family escutcheon in painted glass, and below it a
scroll with the family motto: _What I have, I hold_.
The two exceptions in question were these: a high screen of dark
stamped leather, the figures on which, originally gilt, showed nothing
more than a patch here and there of their whilom lustre; and a huge
chair, which was also covered with the same dark leather. In this
chair was seated the Master of Heron Dyke. The screen was drawn up
behind him, and although the evening was close on midsummer, in the
big open fireplace, in front of which he was sitting, the stump of a
tree was slowly burning; crackling and sputtering noisily every now
and then, as though defying till the last the flames that were
gradually eating it away.
Public-domain text, read in full here on John Shaqi.
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