The Mysteries of London, v. 1/4Reynolds, George W. M. (George William MacArthur)
General
The Mysteries of London, v. 1/4
Reynolds, George W. M. (George William MacArthur)
London (England) -- Fiction; Penny dreadfuls
And yet the owner of that villa wanted not charity: witness the poor
woman and two children who have just emerged from the servants' offices
laden with cold provisions, and with a well-filled bundle of other
necessaries.
At the door of a stable a groom was seen dismounting from the back of a
thorough-bred chestnut mare, which had just returned from an airing, and
upon which he cast a glance of mingled pride and affection.
The windows of the villa were embellished with flowers in pots and vases
of curious workmanship; and outside the casements of the chambers upon
the first floor were suspended cages containing beautiful singing birds.
To the interior of one of those rooms must we direct the attention of
the reader. It was an elegant _boudoir_: and yet it could scarcely
justify the name; for by a _boudoir_ we understand something completely
feminine, whereas this contained articles of male and female use and
attire strangely commingled--pell-mell--together.
Upon a toilet-table were all the implements necessary for the decoration
and embellishment of female beauty; and carelessly thrown over a chair
were a coat, waistcoat, and trousers. A diminutive pair of
patent-leather Wellington boots kept company with delicate morocco
shoes, to which sandals were affixed. A huge press, half-open, disclosed
an array of beautiful dresses--silk, satin, and precious stuffs of all
kinds; and on a row of pegs were hung a scarlet hunting-coat, a
shooting-jacket, a jockey-cap, and other articles of attire connected
with field sports and masculine recreations. Parasols, foils,
single-sticks, dandy-canes, and hunting-whips, were huddled together in
one corner of that bureau. And yet all the confusion of these various
and discrepant objects was so regular in appearance--if the phrase can
be understood--that it seemed as if some cunning hand had purposely
arranged them all so as to strike the eye in a manner calculated to
encourage the impression that this elegant boudoir was inhabited by a
man of strange feminine tastes, or a woman of extraordinary masculine
ones.
[Illustration]
There was no pompous nor gorgeous display of wealth in this boudoir: its
interior, like that of the whole villa throughout, denoted competence
and ease--elegance and taste, but no useless luxury nor profuse
expenditure.
The window of the boudoir was half open. A bowl of chrystal water,
containing gold and silver fish, stood upon a table in the recess of the
casement. The chirrup of the birds echoed through the room, which was
perfumed with the odour of sweet flowers.
By the wall facing the window stood a French bed, on the head and foot
of which fell pink satin curtains, flowing from a gilt-headed arrow
fixed near the ceiling.
It was now nine o'clock, and the sun shed a flood of golden light
through the half-open casement upon that couch which was so voluptuous
and so downy.
Public-domain text, read in full here on John Shaqi.
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