The Mysteries of London, v. 4/4Reynolds, George W. M. (George William MacArthur)
General
The Mysteries of London, v. 4/4
Reynolds, George W. M. (George William MacArthur)
London (England) -- Fiction; Penny dreadfuls
These observations were made at a rapid glance;--and then Charles
Hatfield’s looks were concentrated in the cynosure which instantly
absorbed all interest--all attention. For, half sitting, half reclining
upon the sofa, was a being of such transcendant beauty that never in
the wildest of his dreams had he conceived the like. When reading a
novel or a poem, his imagination had often depicted to itself the
semblance of the heroine--and this mental portraiture was invariably
drawn with the utmost perfection of form and feature which impassioned
and enthusiastic youth could devise. But no flight--no soaring of that
fervid imagination had ever yet idealised such dazzling, brilliant
charms as those which now met his astonished gaze,--charms that
intoxicated while they delighted, and that ravished while they infused
a warm voluptuousness into the soul of the beholder.
And, in sooth, well might Charles Hatfield experience ineffable
feelings and tender emotions as he contemplated the fiend in an angel’s
shape that was half reclining on the sofa; for Perdita was surpassingly
lovely on this occasion! She was attired in a light pink muslin dress,
made very low in the body, so that her neck and shoulders were set
off in all their dazzling whiteness against the deep purple velvet
of the sofa--and her full, swelling, firm bosom was more than half
revealed. Her hair was arranged in long ringlets, glittering like
hyperions, luxuriant, and sweeping those glowing globes that appeared
to heave to their caresses. Her large grey eyes beamed with voluptuous
languor, although a brilliant light shone in the depths of the dark
pupils;--and her vermilion lips, parted with a smile, displayed the
white and even rows of pearls, so faultless in their beauty. The
slightly sun-burnt tinge of her face appeared to be the rich hue of
an Italian complexion--the carnation glow of health, and youth, and
warm blood animating her cheeks. Then her arms were naked,--those arms
which were dazzlingly white, robust, and yet admirably modelled, and
which seemed ready to stretch out and clasp a favoured lover to the
panting breast. One foot was raised on the sofa--the other rested on
an ottoman;--and thus, as Charles Hatfield’s eyes swept the rich and
fine proportions--the undulating contours of that splendid form, it
seemed to him as if a halo of voluptuousness surrounded this enchanting
being--a very perfume of beauty enveloped her in its intoxicating
influence.
Public-domain text, read in full here on John Shaqi.
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