The Mysteries of London, v. 4/4Reynolds, George W. M. (George William MacArthur)
General
The Mysteries of London, v. 4/4
Reynolds, George W. M. (George William MacArthur)
London (England) -- Fiction; Penny dreadfuls
She had heard him ascending the stairs--and she had purposely placed
herself in an attitude which should seem as if he had disturbed
her unexpectedly, and thus serve as an apology for the negligent
abandonment of limb which gave to her position an air alike wanton
and lascivious. While she, therefore, affected to gaze on him in
soft surprise, he was intently devouring her with looks of unfeigned
amazement;--and while she still retained that voluptuous attitude as
if unwittingly, he was rivetted to the spot near the door where he had
stopped short on first catching sight of her. This dumb-show on the
part of both,--artificial with her, and real with him,--lasted for
nearly a minute;--and during that time Perdita had an opportunity of
surveying the young man’s handsome appearance with even more searching
scrutiny than when she had seen him in Pall Mall the very day of her
arrival in London,--while, on his side, Charles Hatfield had leisure
to scan a combination of charms such as transcended all his ideal
creations, and which, had he beheld them in a picture, he would have
declared to be impossible of realization.
Again must we observe how different was this elegantly-attired,
captivating creature as she now appeared, from the ragged, way-worn
wanderer that she was when first we introduced her to our readers! But
oh! dangerous--trebly dangerous Perdita,--a snake with the loveliest
skin--a demon with the most heavenly form--utter profligacy in the most
witching guise!
And now the young man, who has been brought within the sphere of this
perilous influence, recovers his self-possession so far as to be able
to stammer forth an apology for what he conceives to be an intrusion
occasioned by some strange mistake.
“No excuse is necessary, sir,” replies Perdita; “The lady whom you
state to have conducted you hither, is my mother; and she has doubtless
sought her chamber for a few minutes to change her attire. Pray be
seated.”
But Charles Hatfield once more stood still--rivetted to the spot,
after having advanced a few paces towards Perdita;--for the sound of
her voice, so sweetly musical--so enchantingly harmonious, appeared to
inspire him with ecstatic emotions and infuse an ineffable delight into
his very soul.
Public-domain text, read in full here on John Shaqi.
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