The Mysteries of Paris, illustrated with etchings, Vol. 1Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 1
Sue, Eugène
Paris (France) -- Fiction
PAGE
PORTRAIT OF EUGENE SUE _Frontispiece_
THE CHOURINEUR, RODOLPH, AND LA GOUALEUSE 22
"SHE PROFFERED TO RODOLPH THE BOUQUET" 89
"'AH, HERE IS THE DARLING ONE!'" 158
"RODOLPH ADDRESSED THE SCHOOLMASTER." 190
"THIS INDIVIDUAL WAS SEATED BY THE STOVE" 260
"'THIS, I SUPPOSE, IS THE WORK OF M. CABRION'" 296
THE MYSTERIES OF PARIS.
CHAPTER I.
THE TAPIS-FRANC.[1]
It was on a cold and rainy night, towards the end of October, 1838, that
a tall and powerful man, with an old broad-brimmed straw hat upon his
head, and clad in a blue cotton carter's frock, which hung loosely over
trousers of the same material, crossed the Pont au Change, and darted
with a hasty step into the Cité, that labyrinth of obscure, narrow, and
winding streets which extends from the Palais de Justice to Notre Dame.
[1] _Tapis-franc_: literally, a "free carpet;" a low haunt
equivalent to what in English slang is termed "a boozing ken."
Although limited in space, and carefully watched, this quarter serves as
the lurking-place, or rendezvous, of a vast number of the very dregs of
society in Paris, who flock to the _tapis-franc_. This word, in the
slang of theft and murder, signifies a drinking-shop of the lowest
class. A returned convict, who, in this foul phraseology, is called an
"ogre," or a woman in the same degraded state, who is termed an
"ogress," generally keep such "cribs," frequented by the refuse of the
Parisian population; freed felons, thieves, and assassins are there
familiar guests. If a crime is committed, it is here, in this filthy
sewer, that the police throws its cast-net, and rarely fails to catch
the criminals it seeks to take.
On the night in question, the wind howled fiercely in the dark and dirty
gullies of the Cité; the blinking and uncertain light of the lamps which
swung to and fro in the sudden gusts were dimly reflected in pools of
black slush, which flowed abundantly in the midst of the filthy
pavement.
The murky-coloured houses, which were lighted within by a few panes of
glass in the worm-eaten casements, overhung each other so closely that
the eaves of each almost touched its opposite neighbour, so narrow were
the streets. Dark and noisome alleys led to staircases still more black
and foul, and so perpendicular that they could hardly be ascended by the
help of a cord fixed to the dank and humid walls by holdfasts of iron.
Stalls of charcoal-sellers, fruit-sellers, or venders of refuse meat
occupied the ground floor of some of these wretched abodes.
Notwithstanding the small value of their commodities, the fronts of
nearly all these shops were protected by strong bars of iron,--a proof
that the shopkeepers knew and dreaded the gentry who infested the
vicinity.
Public-domain text, read in full here on John Shaqi.
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