"Why, Karl, by my order, hovered about the door of M. Robert during the following day from an early hour; nothing, however, transpired till the next day, when our love-stricken youth proceeded in a _fiacre_ to an obscure part of the town, and finally alighted before a mean-looking house in the Rue du Temple; there he remained for an hour and a half, when he came out and walked away. Karl waited a long while to see whether any person followed M. Charles Robert out of the house; but no one came. The marquise had evidently failed in her appointment. This was confirmed to me on the morrow, when the lover came to pour out all his rage and disappointment. I advised him to assume even an increase of wretchedness and despair. The plan succeeded; the pity of Clémence was again excited; a fresh assignation was wrung from her, but which she failed to keep equally with the former; the third and last rendezvous, however, produced more decided effects, Madame d'Harville positively going as far as the door of the house I have specified as the appointed place; then, repenting so rash a step, returned home without having even quitted the humble _fiacre_ in which she rode. You may judge by all these capricious changes of purpose how this woman struggles to be free. And wherefore? Why, because (and hence arises my bitter, deadly hatred to Clémence d'Harville) because the recollection of Rodolph still lingers in her heart, and, with pertinacious love she shrinks from aught that she fancies breathes of preference for another; thus shielding herself from harm or danger beneath his worshipped image. Now this very night the marquise has made a fresh assignation with M. Charles Robert for to-morrow, and this time I doubt not her punctuality; the Duke de Lucenay has so grossly ridiculed this young man that, carried away by pity for the humiliation of her admirer, the marquise has granted that to compassion he would not else have obtained. But this time, I feel persuaded she will keep her word, and be punctual to the appointed time and hour." "And how do you propose to act?"