The Mysteries of Paris, illustrated with etchings, Vol. 2Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 2
Sue, Eugène
Paris (France) -- Fiction
Belonging to one of the first families in France, still young, and with
a face that would have been agreeable had it not been for the almost
ridiculous and disproportionate length of his nose, M. de Lucenay joined
to a restless love of constant motion the habit of talking and laughing
fearfully loud upon subjects quite at variance with good taste or
polished manners, and throwing himself into attitudes so abrupt and
awkward that it was only by recalling who he was, that his being found
in the midst of the most distinguished societies in Paris could be
accounted for, or a reason assigned for tolerating his gestures and
language; for both of which he had now, by dint of long practice and
adherence, acquired a sort of free license or impunity. He was shunned
like the plague, although not deficient in a certain description of wit,
which told here and there amid the indescribable confusion of remarkable
phraseology which he allowed himself the use of; in fact, he was one of
those unintentional instruments of vengeance one would always like to
employ in the wholesale chastisement of persons who have rendered
themselves either ridiculous or abhorrent.
The Duchess de Lucenay, one of the most agreeable, and, at the same
time, most fashionable women in Paris (spite of her having numbered
thirty summers), had more than once furnished matter of conversation
among the scandal-dealers of Paris; but her errors, whatever they were
supposed to be, were pardoned, in consideration of the heavy drawback of
such a partner as M. de Lucenay.
Another feature in the character of this latter-named individual was a
singular affectation of the most absurd and unknown expressions,
relative to imaginary complaints and ridiculous infirmities he amused
himself in supposing you suffered from, and concerning which he would
make earnest inquiries, in a loud voice, and in the immediate presence
of a hundred persons. But possessed of first-rate courage, and always
ready to take the consequences of his disagreeable jokes, M. de Lucenay
had been concerned in various affairs of honour arising out of them,
with varied success; coming off sometimes victor, sometimes vanquished,
without being in any way cured of his unpleasant and annoying tricks.
All this premised, we will ask the reader to imagine the loud, harsh
voice of the personage we have been describing, shouting from the
distance at which he first recognised Madame d'Harville and Sarah:
"Holla! holla! who is that out there? Come, who is it? Let's see. What!
the prettiest woman at the ball sitting out here, away from everybody! I
can't have this; it is high time I returned from the other end of the
world to put a stop to such doings as this. I tell you what, marquise,
if you persist in thus concealing yourself from general view, and
cheating people from looking at you, I will set up a cry of fire! fire!
that shall bring every one out of the ballroom, around you."
Public-domain text, read in full here on John Shaqi.
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