The Mysteries of Paris, illustrated with etchings, Vol. 2Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 2
Sue, Eugène
Paris (France) -- Fiction
"All right, master," said the man, drawing up to the side of the
footway, "where am I to drive to? Let's have a right understanding, and
a look at the clock. Why, it's as close on half-after eleven as may be."
"Now, then, drive to the corner of the Rue St. Dominique, and wait at
the end of the garden wall which runs along there; do you understand?"
"Yes, yes,--I know."
M. d'Harville then drew down the blinds of the _fiacre_; the coachman
drove on, and soon arrived opposite the Hôtel d'Harville, from which
point of observation it was impossible for any person to enter or quit
the house without the marquis having a full view of them. One o'clock
was the hour fixed in the note; and with his eyes riveted on the
entrance-gates of the mansion, the marquis waited in painful suspense,
absorbed in a whirl of fearful thoughts and maddening conjectures. Time
stole on imperceptibly; twelve o'clock reverberated from the dome of St.
Thomas Aquinas, when the door opened slowly at the Hôtel d'Harville, and
Madame d'Harville herself came timidly forth.
"Already?" exclaimed the unhappy husband; "how punctual she is! She
fears to keep him waiting," cried the marquis, with a mixture of irony
and savage rage.
The cold was excessive; the pavement hard and dry. Clémence was dressed
in a black velvet bonnet, covered with a veil of the same colour, and a
thickly wadded pelisse of dark ruby satin, a large shawl of dark blue
cashmere fell to the very hem of her pelisse, which she lightly and
gracefully held up while crossing the street. Thanks to this movement,
the taper foot and graceful ankle of Madame d'Harville, cased in an
exquisitely fitting boot of black satin, were exposed to view.
Public-domain text, read in full here on John Shaqi.
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