The Mysteries of Paris, illustrated with etchings, Vol. 3Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 3
Sue, Eugène
Paris (France) -- Fiction
"But, suppose now some relation you never heard of in your life were to
die, and leave you a nice little fortune--twelve hundred francs a year,
for instance--you have made five hundred sufficient to supply all your
wants?"
"Perhaps it might prove a good thing; perhaps a bad one."
"How could it be a bad one?"
"Because I am happy and contented as I am; but I do not know what I
might be if I came to be rich. I can assure you that, when, after a hard
day's work, I go to bed in my own snug little room, when my lamp is
extinguished, and by the glimmer of the few cinders left in my stove I
see my neat, clean little apartment, my curtains, my chest of drawers,
my chairs, my birds, my watch, my table covered with the work confided
to me, left all ready to begin the first thing in the morning, and I say
to myself, all this is mine,--I have no one to thank for it but
myself,--oh, neighbour, the very thoughts lull me into such a happy
state of mind that I fall asleep believing myself the most fortunate
creature on earth to be so surrounded with comforts. But, I declare,
here we are at the Temple! You must own it is a beautiful object?"
Although not partaking of the profound admiration expressed by Rigolette
at the first glimpse of the Temple, Rodolph was, nevertheless, much
struck by the singular appearance of this enormous bazar with its many
diverging passages and dependencies. Towards the middle of the Rue du
Temple, not far from the fountain which stands in the corner of a large
square, may be seen an immense parallelogram, built of wood, and
surmounted with a slated roof. This building is the Temple, bounded on
the left by the Rue du Petit Thouars, and on the right by the Rue
Percee; it leads to a large circular building,--a colossal rotunda,
surrounded with a gallery, forming a sort of arcade. A long opening,
intersecting this parallelogram in its length and breadth, divides it
into two equal parts, which are again divided and subdivided into an
infinity of small lateral and transverse openings, crossing each other
in all directions, and sheltered by the roof of the building from all
severity of weather. In this bazar new merchandise is generally
prohibited; but the smallest fragment of any sort of material, the
merest morsel of iron, brass, lead, or pewter, will here find both a
buyer and a seller.
Public-domain text, read in full here on John Shaqi.
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