The Mysteries of Paris, illustrated with etchings, Vol. 3 — John Shaqi
The Mysteries of Paris, illustrated with etchings, Vol. 3Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 3
Sue, Eugène
Paris (France) -- Fiction
Farther on, at the sign of the Gout du Jour, beneath the arcades of the
Rotunda, elevated at the end of the large opening which intersects the
Temple and divides it into two parts, are suspended myriads of vestments
of all colours, forms, and fashions, even more various and extraordinary
in their respective styles than the bonnets just described. There may be
seen stylish coats of unbleached linen, adorned with three rows of brass
buttons _a la hussarde_, and sprucely ornamented with a small fur collar
of fox-skin; great-coats, originally bottle-green, but changed, by age
and service, to the hue of the pistachio nut, edged with black braid,
and set off with a bright flaming lining of blue and yellow plaid,
giving quite a fresh and youthful appearance, and producing the most
genteel and tasty effect; coats that, when new, bore the appellation, as
regards their cut, of being _a queue de Morue_, of a dark drab colour,
with velvet, shag, or plush collar, and further decorated with buttons,
once silver-gilt, but now changed to a dull coppery hue. In the same
emporium may be observed sundry pelisses or polonaises of
maroon-coloured cloth, with cat-skin collar, trimmed with braiding, and
rich in brandenburgs, tassels, and cords. Not far from these are
displayed a great choice of dressing-gowns most artistically constructed
out of old cloaks, whose triple collars and capes have been removed, the
inside lined with remnants of printed cotton, the most in request being
blue or dark green, made up here and there with pieces of various
distinct shades, and embroidered with old braid, and lined with red
cotton, on which is traced a flowing design in vivid orange, collar and
cuffs similarly adorned; a cord for the waist, made out of an old
bell-rope, serves as a finish to these elegant _deshabilles_ so
exultingly worn by Robert Macaire. We shall briefly pass over a mass of
costumes more or less uncouth, in the midst of which may be found some
real and authentic relics of royalty or greatness, dragged by the
revolution of time from the palaces of the rich and mighty to the dingy
shelves of the Rotunda of the Temple.
These displays of old shoes, hats, and coats are the grotesque parts of
the bazar,--the place where rags and faded finery seek to set up their
claim to notice. But it must be allowed, or rather distinctly asserted,
that the vast establishment we are describing is of immense utility to
the poor or persons in mediocre circumstances. There they may purchase,
at an amazing decrease of price, most excellent articles, nearly new,
and whose wear has been little or none. One side of the Temple was
devoted to articles of bedding, and contained piles of blankets, sheets,
mattresses, and pillows. Farther on were carpets, curtains, every
description of useful household utensil. Close at hand were stores of
wearing apparel, shoes, stockings, caps, and bonnets, for all ages, as
well as all classes and conditions.
Public-domain text, read in full here on John Shaqi.
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