The Mysteries of Paris, illustrated with etchings, Vol. 3 — John Shaqi
The Mysteries of Paris, illustrated with etchings, Vol. 3Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 3
Sue, Eugène
Paris (France) -- Fiction
"Ah, sir, you, our kind benefactor!" said the artisan, recognising
Rodolph, "assist me in preventing Louise from leaving us. I do not know
what is the matter with her, but she quite frightens me, she is so
determined to go. Now there is no occasion for her to return to her
master, is there, sir? Did you not say to me, 'Louise shall not again
leave you, and that will recompense you for much that you have
suffered?' Ah! at that kind promise, I confess that for a moment I had
forgot the death of my poor little Adele; but I must not again be
separated from thee, Louise, oh, never, never!"
Rodolph was wounded to the heart, and was unable to utter a word in
reply.
The commissary said sternly to Louise:
"Is your name Louise Morel?"
"Yes, sir," replied the young girl, quite overcome.
"You are Jerome Morel, her father?" added the magistrate, addressing the
lapidary.
Rodolph had opened the door of Rigolette's apartment.
"Yes, sir; but--"
"Go in there with your daughter."
And the magistrate pointed to Rigolette's chamber, into which Rodolph
had already entered.
Reassured by his preserver, the lapidary and Louise, astonished and
uneasy, did as the commissary desired them.
The commissary shut the door, and said with much feeling to Morel:
"I know that you are honest and unfortunate, and it is, therefore, with
regret that I tell you that I am here in the name of the law to
apprehend your daughter."
"All is discovered,--I am lost!" cried Louise, in agony, and throwing
herself into her father's arms.
"What do you say? What do you say?" inquired Morel, stupefied. "You are
mad! What do you mean by lost? Apprehend you! Why apprehend you? Who has
come to apprehend you?"
"I, and in the name of the law;" and the commissary showed his scarf.
"Oh, wretched, wretched girl!" exclaimed Louise, falling on her knees.
"What! in the name of the law?" said the artisan, whose reason, severely
shaken by this fresh blow, began to totter. "Why apprehend my daughter
in the name of the law? I will answer for Louise, I will,--this my
child, my good child, ain't you, Louise? What! apprehend you, when our
good angel has restored you to us to console us for the death of our
poor, dear little Adele? Come, come, this can't be. And then, to speak
respectfully, M. le Commissaire, they apprehend none but the bad, you
know; and my Louise is not bad. So you see, my dear, the good gentleman
is mistaken. My name is Morel, but there are other Morels; you are
Louise, but there are other Louises; so you see, M. le Commissaire,
there is a mistake, certainly some mistake!"
"Unhappily there is no mistake. Louise Morel, take leave of your
father!"
"What! are you going to take my daughter away?" exclaimed the workman,
furious with grief, and advancing towards the magistrate with a menacing
air.
Rodolph seized the lapidary by the arm, and said to him:
"Be calm, and hope for the best; your daughter will be restored to you;
her innocence must be proved; she cannot be guilty."
Public-domain text, read in full here on John Shaqi.
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