The Mysteries of Paris, illustrated with etchings, Vol. 4Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 4
Sue, Eugène
Paris (France) -- Fiction
This woman, tall and meagre, seemed about five and forty years of age.
She was dressed in black, with a mourning handkerchief tied about her
head, concealing her hair, and surrounding her flat, livid, and wrinkled
brows; her nose was long and straight; her cheek-bones prominent; her
cheeks furrowed; her complexion bilious and sallow; the corners of her
mouth, always curved downwards, rendered still harsher the expression of
her countenance, as chilling, sinister, and immovable as a marble mask.
Her gray eyebrows surmounted her dull blue eyes.
The felon's widow was employed with needlework, as well as her two
daughters. The eldest girl was tall and forbidding like her mother, with
her features, calm, harsh, and repulsive, her thin nose, her ill-formed
mouth, and her pale look. Her yellow complexion, which resembled a ripe
quince, had procured for her the name of Calabash (_Calebasse_). She was
not in mourning, but wore a brown gown, whilst a cap of black tulle did
not conceal two bands of scanty hair of dull and dingy light brown.
Francois, the youngest of the Martial sons, was sitting on a low stool
repairing an _aldrel_, a thin-meshed net forbidden to be used on the
Seine. In spite of the tan of his features, this boy seemed in perfect
health; a forest of red hair covered his head; his face was round, his
lips thick, his forehead projecting, his eyes quick and piercing. He was
not like his mother or his elder sister, but had a subdued and sly look,
as from time to time, through the thick mass of hair that fell over his
eyes, he threw a stealthy and fearful glance at his mother, or exchanged
a look of intelligence and affection with his little sister, Amandine.
The latter was seated beside her brother, and was occupied, not in
marking, but in unmarking, some linen stolen on the previous evening.
She was nine years old, and was as like her brother as her sister was
like her mother. Her features, without being more regular, were less
coarse than those of Francois. Although covered with freckles, her
complexion was remarkably clear, her lips thick and red, her hair also
red, but silky, and her eyes, though small, were of a clear bright blue.
When Amandine's look met that of her brother, she turned a glance
towards the door, and then Francois replied by sigh; after which,
calling his sister's attention by a slight gesture, he counted with the
end of his needle ten loops of the net. This was meant to imply, in the
symbolical language of children, that their brother Martial would not
return until ten o'clock that evening.
Seeing these two women so silent and ill-looking, and the two poor
little mute, frightened, uneasy children, we might suppose they were two
executioners and two victims. Calabash, perceiving that Amandine had
ceased from her occupation for a moment, said, in a harsh tone:
"Come, haven't you done taking the mark out of that shirt?"
Public-domain text, read in full here on John Shaqi.
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