The Mysteries of Paris, illustrated with etchings, Vol. 4Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 4
Sue, Eugène
Paris (France) -- Fiction
Apropos of our utopianisms, as to the encouragement, help, and
recompenses which society ought to grant to artisans remarkable for
their eminent social qualities, we have alluded to that protection of
virtue (one of the projects of the Emperor, by the way). Let us suppose
this admirable idea realised. One of the real philanthropists whom the
Emperor proposed to employ in searching after worth has discovered
Rigolette. Abandoned without advice, without aid, exposed to all the
perils of poverty, to all the seductions with which youth and beauty are
surrounded, this charming girl has remained pure; her honest,
hard-working life might serve for a model and example. Would not this
young creature deserve, not a mere recompense, not succour only, but
some impressive words of approbation and encouragement, which would give
her a consciousness of her own worth, exalt her in her own eyes, and lay
on her obligations for the future? At least she would know that she was
followed by eyes full of solicitude and protection in the difficult path
in which she is progressing with so much courage and serenity; she would
know that, if one day the want of work or sickness threatened to destroy
the equilibrium of the poor and occupied life, which depends solely on
work and health, a slight help, due to her former deserts, would be
given to her.
People, no doubt, will exclaim against the impossibility of this
tutelary surveillance, which would surround persons particularly worthy
of interest through their previous excellent lives. It seems to us that
society has already resolved this problem. Has it not already imagined
the superintendence of the police, for life or for a period, for the
most useful purpose of constantly controlling the conduct of dangerous
persons, noted for the infamy of their former lives? Why does not
society exercise also a superintendence of moral charity?
But let us leave the lofty stilts of our utopianisms, and return to the
cause of Rigolette's first sorrow.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account