The Mysteries of Paris, illustrated with etchings, Vol. 4Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 4
Sue, Eugène
Paris (France) -- Fiction
The countenance of the widow Martial had become less cloudy since the
arrival of Nicholas, whom she greatly preferred to Calabash, but by no
means entertaining for him the affection she felt for her Toulon son, as
she designated him; for the maternal love of this ferocious woman
appeared to increase in proportion to the criminality of her offspring.
This perverse preference will serve to account for the widow's
indifference towards her two younger children, neither of whom exhibited
any disposition to evil, as well as her perfect hatred of Martial, her
eldest son, who, although not leading an altogether irreproachable life,
might still have passed for a perfectly honest and well-conducted person
if placed in comparison with Nicholas, Calabash, or his brother, the
felon at Toulon.
"Which road did you take to-night?" inquired the widow of her son.
"Why, as I returned from the Quai de Billy, where, you know, I had to go
to meet the gentleman who appointed to see me there, I spied a barge
moored alongside the quay; it was as dark as pitch. 'Halloa!' says I,
'no light in the cabin? No doubt,' says I, 'all hands are ashore. I'll
just go on board, and have a look; if I meet any one, it's easy to ask
for a bit of string, and make up a fudge about wanting to splice my
oar.' So up the side I climbs, and ventures into the cabin. Not a soul
was there; so I began collecting all I could find: clothes, a great box,
and, on the deck, four quintals of copper. So, you may guess, I was
obliged to make two journeys. The vessel was loaded with copper and
iron; but here comes Francois and Calabash. Now, then, let's be off to
the boat. Here, you young un, you Amandine! Look sharp, and make
yourself useful; you can carry the clothes; we must get new things, you
know, before we can throw aside our old ones."
Left alone, the widow busied herself in preparations for the family
supper. She placed on the table bottles, glasses, earthenware, plates,
with forks and spoons of silver; and, by the time this occupation was
completed, her offspring returned heavily laden.
Little Francois staggered beneath the weight of copper which he carried
on his shoulders, and Amandine was almost buried beneath the mass of
stolen garments which she bore on her head, while Nicholas and Calabash
brought in between them a wooden case, on the top of which lay the
fourth lump of copper.
"The case,--the case!" cried Calabash, with savage eagerness. "Come,
let's rip it open, and know what's in it."
The lumps of copper were flung on the ground. Nicholas took the heavy
hatchet he carried in his belt, and introduced its strong iron head
between the lid and the box which he had set down in the middle of the
kitchen, and endeavoured with all his strength to force it open. The red
and flickering light of the fire illumined this scene of pillage, while,
from without, the loud gusts of the night wind increased in violence.
Public-domain text, read in full here on John Shaqi.
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