The Mysteries of Paris, illustrated with etchings, Vol. 4Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 4
Sue, Eugène
Paris (France) -- Fiction
Rigolette then had not, as yet, testified any decided preference for any
one of her beaux; but as she was by no means deficient in judgment, she
soon discovered that Germain alone united all the qualities requisite
for making a reasonable woman happy.
Having stated all these facts, we will inquire why Rigolette was sad,
and why neither she nor her birds sang. Her oval and fresh-looking face
was rather pale; her large black eyes, usually gay and brilliant, were
slightly dulled and veiled; whilst her whole look bespoke unusual
fatigue. She had been working nearly all the night; from time to time
she looked sorrowfully at a letter which lay open on a table near her.
This letter had been addressed to her by Germain, and contained as
follows:
"PRISON OF THE CONCIERGERIE.
"MADEMOISELLE:--The place from which I address you will
sufficiently prove to you the extent of my misfortune,--I am
locked up as a robber. I am guilty in the eyes of all the world,
and yet I am bold enough to write to you! It is because it
would, indeed, be dreadful to me to believe that you consider me
as a degraded criminal. I beseech you not to condemn me until
you have perused this letter. If you discard me, that will be
the final blow, and will indeed overwhelm me. I will tell you
all that has passed. For some time I had left the Rue du Temple,
but I knew through poor Louise that the Morel family, in whom
you and I took such deep interest, were daily more and more
wretched. Alas, my pity for these poor people has been my
destruction! I do not repent it, but my fate is very cruel. Last
night I had stayed very late at M. Ferrand's, occupied with
business of importance. In the room in which I was at work was a
bureau, in which my employer shut up every day the work I had
done. This evening he appeared much disturbed and troubled, and
said to me, 'Do not leave until these accounts are finished, and
then put them in the bureau, the key of which I will leave with
you;' and then he left the room. When my work was done I opened
the drawer to put it away, when, mechanically, my eyes were
attracted by an open letter, on which I read the name of Jerome
Morel, the lapidary. I confess that, seeing that it referred to
this unfortunate man, I had the indiscretion to read this
letter; and I learnt that the artisan was to be arrested next
day on an overdue bill of thirteen hundred francs, at the suit
of M. Ferrand, who, under an assumed name, had imprisoned him.
This information was from an agent employed by M. Ferrand. I
knew enough of the situation of the Morel family to be aware of
the terrible blow which the imprisonment of their only support
must inflict upon them, and I was equally distressed and
indignant. Unfortunately I saw in the same drawer an open box,
with two thousand francs in gold in it.
Public-domain text, read in full here on John Shaqi.
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