The Mysteries of Paris, illustrated with etchings, Vol. 5 — John Shaqi
The Mysteries of Paris, illustrated with etchings, Vol. 5Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 5
Sue, Eugène
Paris (France) -- Fiction
Yes, strange anomaly! On learning from M. de Grauen the inciting and
platonic part she was to play with the notary, and what avenging ends
were to be derived from her seductions, Cecily had promised to go
through the character with love, or, rather, terrible hatred against
Jacques Ferrand, being sincerely indignant at the recital of the
infamous violence he had exercised against Louise,--a recital necessary
to be unfolded to the creole, to put her on her guard against the
hypocritical attempts of this monster. A few retrospective words as to
this latter are indispensable.
When Cecily was presented by Madame Pipelet as an orphan over whom she
did not desire to maintain any right, any control, the notary was,
perhaps, less smitten by the beauty of the creole than fascinated by her
irresistible look,--a look which, at the first interview, disturbed the
reason of Jacques Ferrand.
We have already said, in reference to the insensate boldness of some of
his words when conversing with Madame de Lucenay, that this man, usually
so completely master of himself, so calm, so cunning, so subtle, forgot
the cold calculations of his deep dissimulation when the demon of desire
darkened his better sense.
Besides, he had no cause to distrust the protegee of Madame Pipelet.
After her conversation with Alfred's spouse, Madame Seraphin had
proposed to Jacques Ferrand a young girl, almost destitute, to replace
Louise, and he had eagerly accepted the offer, in the hopes of taking
advantage of the isolated and precarious position of his new servant.
Moreover, far from being predisposed to mistrust, Jacques Ferrand found,
in the march of events, fresh motives for security.
All succeeded to his utmost wishes. The death of Madame Seraphin
released him from a dangerous accomplice; the death of Fleur-de-Marie
(he believed her dead) delivered him from a living proof of one of his
earliest crimes. Finally, thanks to the death of the Chouette, and the
unexpected murder of the Countess Macgregor (whose life was despaired
of), he no longer had these two women to fear, whose disclosures and
attacks might have been most disastrous to him.
Public-domain text, read in full here on John Shaqi.
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