The Mysteries of Paris, illustrated with etchings, Vol. 5 — John Shaqi
The Mysteries of Paris, illustrated with etchings, Vol. 5Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 5
Sue, Eugène
Paris (France) -- Fiction
This romantic confidence, this sudden change of character, completely
upset all Jacques Ferrand's ideas. Who was this woman? Why did she
conceal herself? Was it chance alone that had brought her to him? If she
came with some secret aim, what could it be? Amongst all the ideas which
this singular adventure gave rise to in the notary's mind, the real
motive of the creole's presence did not occur to him. He had not, or,
rather, he believed he had no other enemies than the victims of his
licentiousness and his cupidity, and all these were in such miserable
circumstances that he could not suspect them capable of spreading any
net for him, of which Cecily should be the bait.
And then, moreover, what could be the motive of any such snare? No, the
sudden transformation of Cecily inspired Jacques Ferrand with one fear
only--he believed that this woman did not tell the truth, and was,
perhaps, an adventuress, who, thinking him rich, had introduced herself
into his house to wheedle and get money from him, and, perhaps, induce
him to marry her. But although his avarice at once revolted at this
idea, he perceived (and trembled) that his suspicions and reflections
were too late, for he might by one word have calmed his distrust by
sending away this woman from his house,--but this word he could not say.
These thoughts hardly occupied him a moment, so fascinated had he
become. He already loved, after his own fashion, and the idea of being
separated from this enchanting creature seemed impossible; and he felt
also a jealousy, which made him say to himself, "So long as she is
immured in my house, she can have no other lover." The boldness of her
language, the wantonness of her look, the freedom of her manner, all
revealed that she was not (as she had said) a prude. This conviction,
giving vague hopes to the notary, still more assured Cecily's empire. In
a word, Jacques Ferrand's passion choking the calm voice of reason, he
blindly resigned himself to all that might result.
* * * * *
It was agreed that Cecily should only be the servant in appearance; thus
there would be no scandal. Besides, in order the more completely to
render his guest at her ease, he was not to engage any other servant,
but make up his mind to wait on her and on himself. The meals were
brought from a neighbouring tavern, the porter swept out and attended to
the office, and he paid for his clerks' breakfast. Then the notary would
furnish at once an apartment on the first floor, as Cecily wished. She
desired to pay for it, but he refused, and spent two thousand francs
(80_l._). This was enormous generosity, and proved the unheard-of
violence of his passion.
Public-domain text, read in full here on John Shaqi.
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