The Mysteries of Paris, illustrated with etchings, Vol. 6Sue, Eugène
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The Mysteries of Paris, illustrated with etchings, Vol. 6
Sue, Eugène
Paris (France) -- Fiction
Produced by David Edwards, Christine Aldridge and the
Online Distributed Proofreading Team at http://www.pgdp.net
(Stanford University, SUL Books in the Public Domain)
Transcriber's Notes:
1. Passages in italics are surrounded by _underscores_.
2. Passages in Gothic Bold are surrounded by +plus+ signs.
3. Other transcription notes appear at the end of this e-text.
[Illustration: "_Kneeling Down, Placed It on the Ground_"
Original Etching by Mercier]
+The Mysteries of Paris.+
_ILLUSTRATED WITH ETCHINGS
BY MERCIER, BICKNELL, POITEAU,
AND ADRIAN MARCEL._
_BY EUGENE SUE_
_IN SIX VOLUMES
VOLUME VI._
_PRINTED FOR
FRANCIS A. NICCOLLS & CO.
BOSTON_
+Edition de Luxe+
_This edition is limited to one thousand copies,
of which this is_
No.____
CONTENTS.
CHAPTER PAGE
I. PUNISHMENT 11
II. RODOLPH AND SARAH 44
III. LOVE'S FRENZY 68
IV. THE HOSPITAL 80
V. HOPE 108
VI. THE FATHER AND DAUGHTER 122
VII. THE MARRIAGE 141
VIII. BICETRE 152
IX. THE TOILET 183
X. MARTIAL AND THE CHOURINEUR 195
XI. THE FINGER OF PROVIDENCE 201
EPILOGUE.
I. GEROLSTEIN 215
II. THE PRINCESS AMELIE 236
III. THE VOWS 262
IV. THE THIRTEENTH OF JANUARY 267
LIST OF ILLUSTRATIONS.
PAGE
"KNEELING DOWN PLACED IT ON THE GROUND" _Frontispiece_
"WAS LOOKING AT HERSELF IN A MIRROR" 44
"THEY TOOK HER TO THEIR GUILTY HAUNTS" 65
"THE SCHOOLMASTER WAS SITTING ON A BENCH" 172
"IN THE CHURCH IN PRAYER" 264
THE MYSTERIES OF PARIS.
CHAPTER I.
PUNISHMENT.
We will again conduct the reader into the study of Jacques Ferrand.
Availing ourselves of the loquacity of the clerks, we shall endeavour,
through their instrumentality, to narrate the events that had occurred
since the disappearance of Cecily.
"A hundred sous to ten, if his present state continues, that in less
than a month our governor will go off with a pop."
"The fact is, since Cecily left, he is only skin and bones."
"And now he takes to the priests again more than ever."
Public-domain text, read in full here on John Shaqi.
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