The Mysteries of Paris, illustrated with etchings, Vol. 6Sue, Eugène
General
The Mysteries of Paris, illustrated with etchings, Vol. 6
Sue, Eugène
Paris (France) -- Fiction
"Jacques," said Polidori, in a voice and manner contrasting strongly
with his habitual tone of cool, provoking sarcasm, "I have witnessed
almost every description of bodily and mental suffering, but certainly
nothing that equalled what you endure. He who holds us in his power
could not have devised more cruel torture than that you are compelled to
endure. You are condemned to live, to await death through a vista of
long, wasting torments, for your description of your feelings fully
explains to me the many alarming symptoms I have observed in you from
day to day, and of which I have hitherto vainly sought to find the
cause."
"But the symptoms you speak of as alarming are nothing but exhaustion, a
sort of reaction of the bodily and mental powers; do you not think so?
Tell me! I am not surely in any danger of dying?"
"There is no immediate danger, but your situation is precarious; and
there are some thoughts you must cease to dwell on--nay, banish from
your memory--or your danger is imminent."
"I will do whatever you bid me, so that my life be preserved,--for I
will not die. Oh, let priests talk of the sufferings of the damned, but
what are their tortures compared to mine? Tormented alike by passion and
avarice, I have two open wounds rankling in my heart, each occasioning
mortal agony. The loss of my fortune is dreadful, but the fear of death
is even still more so. I have desired to live; and though my existence
may probably be but one protracted scene of endless wretchedness, it is
preferable to death and annihilation; for it would be the termination of
my fatal happiness,--the power of recalling each word and look of
Cecily!"
"You have at least one vast consolation," said Polidori, resuming his
accustomed _sang-froid_, "in the recollection of the good actions by
which you have sought to expiate your crimes!"
Public-domain text, read in full here on John Shaqi.
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