The Mysterious Box: Nuclear Science and ArtKeisch, Bernard
Science
The Mysterious Box: Nuclear Science and Art
Keisch, Bernard
Painting -- Radiography -- Juvenile literature
“Ordinarily, carbon-14 is produced only by cosmic rays, and its
concentrations in the atmosphere and in growing things would remain at a
constant level. But since the middle of the 1950s the testing of nuclear
weapons has increased the amount of radioactive carbon in our atmosphere
by quite a bit. Many artist’s materials, such as linseed oil, canvas,
paper, and so on, come from plants or animals, and so will contain the
same concentrations of carbon-14 as the atmosphere up to the time that
the plant or animal dies.
“Therefore, linseed oil (from the flax plant), for example, produced
during the last few years will have a much greater concentration of
carbon-14 in it than linseed oil produced more than 20 years ago.
Scientists at Carnegie-Mellon University have shown that this method
will work. It is only a matter of making the measurements on the small
samples available from presumably valuable paintings.”
[Illustration: _The changing concentrations of carbon-14 in our
atmosphere. High levels of carbon-14 in linseed oil and other
painting materials will indicate that a work of art is only a few
years old._]
Carbon-14 radioactivity
Older materials contain less as the carbon-14 decays away.
In this period, decrease is due to the burning of large quantities
of coal and oil as industry grew. This diluted the newly
formed carbon-14.
Increases due to testing of atomic weapons in the atmosphere.
Carbon-14 produced by cosmic rays only
Neutron → Nitrogen → Carbon-14 + proton
Carried down by rain in carbon dioxide
“There are also a number of other methods being studied including the
use of Messbauer Effect Spectroscopy to study pigments that contain
iron, thermoluminescent dating of pottery and terra-cotta statuary,
X-ray fluorescence analysis as a general tool, and neutron
autoradiography as a means of studying the technique of artists. You can
read all about them if you wish.”[3]
“It sounds like forgers are going to have a tough time in the future,”
said Harley.
“That’s right. It may even turn out that producing forgeries to pass all
these new tests will be so difficult and expensive that forgers will
stop trying.”
One Mystery Solved
A year later an important letter arrived at the boys’ house. Dad opened
it, read it quickly, and said, “Good news, boys! This letter is from the
Dutch government. Remember those two paintings that we thought might
have been stolen from a Dutch museum?”
“Yes,” said Bill.
“Well, it seems that after a year of studying them, the Dutch have
decided that they really are the paintings that were stolen.”
“That is good news,” said Harley. “At least we know that two of the
paintings we found are genuine.”
“What are they going to do with them?” asked Martin.
Public-domain text, read in full here on John Shaqi.
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