"Circumstances," he remarked simply, with a mysterious smile upon his
grey face.
What, I wondered, was his meaning?
Did he really intend to convey that the circumstances of his
dishonourable profession compelled him to hide himself in a small flat
in that somewhat obscure town--obscure as far as English life went?
When he learnt that I knew some of his friends in Leghorn he became
enthusiastic, and began to discuss the town and its notabilities. What
did I think of the English parson? And whether I did not think that
seeing the small English congregation the church ought not to be removed
to some town with a larger English colony. It was absurd to keep a
parson there for half a dozen people.
And while my sharp eyes were busy examining the photographs set among
vases of fresh-cut flowers, I made replies and sometimes laughed at his
witty criticisms of persons known to both of us in "the Brighton of
Italy."
"What a contrast is the quiet rural life here, with all its old-world
English tranquillity, to that of the gay, garish, sun-blanched
_passeggiata_ of Leghorn, with its bright-eyed women, its oleanders, its
noise, movement, the glare and strident music of the _cafe-chantants_,
and the brightness of the newly discovered spa," I said.
He sighed, pursing his lips.
"Yes, Mr Leaf, you are quite right," he answered. "I love Italy, but I
confess I very often long to be back here at Studland, in my own quiet
old home. Lucie is always begging me to forsake the Continent and
return. But it is impossible--utterly impossible."
"Why impossible?" I asked, looking into his deeply furrowed face.
"Well--there is a reason," was his response. "A strong reason, one of
health, which induces--nay, compels me to live abroad. And I greatly
prefer Italy to any other country."
Little did he dream that I had that secret document of the Italian
Detective Department in my possession, or that I had learnt the truth
from my friend Sampson, the friend of the young Chilian Carrera.
We were chatting on, having halted at the open window which looked
across the old-fashioned garden with its rose arbours, moss-grown
terrace and grey weather-beaten sundial, away to the park beyond, when I
suddenly crossed to another table, whereon were other photographs.
One of them I thought I recognised even in the distance.
Yes! I was not mistaken! I took it in my trembling hand with a word of
apology, and looked into the picture intently. Sight of it staggered
me.
"Who is this?" I asked hoarsely, and my host must, I think, have
noticed the great change in my countenance.
"A friend of my daughter's, I think. Do you know her?"
"I knew her," I replied in a hard, low tone, for sight of that smiling
face brought back to me all the bitter remembrance of a part that I
would have fain forgotten. "It is Ella Murray!"
"Ah!--yes, that's her name. I recollect now," he said; and I saw by his
face that he was interested. "I think they were at school together."
Public-domain text, read in full here on John Shaqi.
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