The Stranger had seen everything, he had been everywhere, he knew everything, and he forgot nothing. What another must study, he learned at a glance; there were no difficulties for him. And he made things live before you when he told about them. He saw the world made; he saw Adam created; he saw Samson surge against the pillars and bring the temple down in ruins about him; he saw Caesar's death; he told of the daily life in heaven; he had seen the damned writhing in the red waves of hell; and he made us see all these things, and it was as if we were on the spot and looking at them with our own eyes. And we felt them, too, but there was no sign that they were anything to him beyond mere entertainments. Those visions of hell, those poor babes and women and girls and lads and men shrieking and supplicating in anguish--why, we could hardly bear it, but he was as bland about it as if it had been so many imitation rats in an artificial fire. And always when he was talking about men and women here on the earth and their doings--even their grandest and sublimest--we were secretly ashamed, for his manner showed that to him they and their doings were of paltry poor consequence; often you would think he was talking about flies, if you didn't know. Once he even said, in so many words, that our people down here were quite interesting to him, notwithstanding they were so dull and ignorant and trivial and conceited, and so diseased and rickety, and such a shabby, poor, worthless lot all around. He said it in a quite matter-of-course way and without bitterness, just as a person might talk about bricks or manure or any other thing that was of no consequence and hadn't feelings. I could see he meant no offense, but in my thoughts I set it down as not very good manners. “Manners!” he said. “Why, it is merely the truth, and truth is good manners; manners are a fiction. The castle is done. Do you like it?”